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The Portrait of a Lady (1996)

 -  Drama | Romance  -  17 January 1997 (USA)
6.1
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Ratings: 6.1/10 from 6,814 users   Metascore: 61/100
Reviews: 64 user | 53 critic | 17 from Metacritic.com

Isabel Archer, an American heiress and free thinker travels to Europe to find herself. She tactfully rebuffs the advances of Caspar Goodwood, another American who has followed her to ... See full summary »

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Title: The Portrait of a Lady (1996)

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Nominated for 2 Oscars. Another 8 wins & 8 nominations. See more awards »

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An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.

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Cast

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Catherine Zago ...
Mother Superior
Alessandra Vanzi ...
Nun #2
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Storyline

Isabel Archer, an American heiress and free thinker travels to Europe to find herself. She tactfully rebuffs the advances of Caspar Goodwood, another American who has followed her to England. Her cousin, Ralph Touchett, wise but sickly becomes a soulmate of sorts for her. She makes an unfortunate alliance with the creepy Madame Merle who leads her to make an even more unfortunate alliance with Gilbert Osmond, a smooth but cold collector of Objets' de art who seduces her with an intense but unattainable sexuality. Isabel marries Osmond only to realize she's just another piece of art for his collection and that Madame Merle and Osmond are lovers who had hatched a diabolical scheme to take Isabel's fortune. Isabel's only comfort is the innocent daughter of Osmond, Pansy, but even that friendship is spoiled when Countess Gemini, Osmond's sister, reveals the child's true parentage. Isabel finally breaks free of Osmond and returns to Ralph's bedside, where, while breathing his last, they ... Written by Teresa B. <O'Donnell@worldnet.att.net>

Plot Summary | Add Synopsis

Plot Keywords:

art | american | travel | europe | friendship | See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature sensuality and some brief nudity | See all certifications »
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Details

Country:

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Language:

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Release Date:

17 January 1997 (USA)  »

Also Known As:

Retrato de una dama  »

Filming Locations:

 »

Box Office

Opening Weekend:

$134,805 (USA) (27 December 1996)

Gross:

£575,908 (UK) (14 March 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Shelley Duvall learned Italian to portray Countess Gemini. See more »

Goofs

When Isabel is attempting to retrieve her parasol from Mr. Osmond, all camera shots of her show the bow around her neck to her right. However, there is one camera shot that shows the bow to her left. See more »

Quotes

Gilbert Osmond: You don't lose your temper, you find it.
See more »

Crazy Credits

In loving memory of J.E.C. See more »

Connections

Referenced in The Creeps (1997) See more »

Soundtracks

"Kunstler-Leben Waltz Op. 316"
(1867)
Composed by Johann Strauß (as Johann Strauss II)
Adapted for screen by Brian Lock
Performed by The City of Prague Philharmonic Orchestra
See more »

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User Reviews

 
A cool, enigmatic film, but stylish...
13 September 1998 | by See all my reviews

An interesting film with an undercurrent of sexual repression similar to that in Campion's other films. Nicole Kidman is excellent, given the material, though her transition from likeable, virtuous innocent to a cold and corrupted woman doesn't ring as true as it should--the three years glossed over with a subtitle isn't adequate to show the change. I blame this on the interpretation, direction, and/or editing rather than Kidman's performance, however. Malkovich is not as strong, and one wonders what any woman could see in him as a lover.

The ending is cold and unsettling. Most filmgoers prefer to know that their hero/heroine is "safe" at the end of the story. Here, who knows ?

Production values are good, and the film is quite stylish with interesting use of camera tilt, lighting, and angles. It's quite artsy. I am glad I saw the film, but acknowledge it's not likely to be everyone's cup of tea.


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