An extremely captivating movie on how a little girl copes with her mother's death. She withdraws from all the people around her, waiting for her mother to come back. She tries waiting, and ... See full summary »
A cross-cultural drama about a wealthy middle-aged Frenchman's yearning for a nineteen year local girl. Raja is an orphan literally and figuratively scarred by life. Fred is an emotionally ... See full summary »
A 10-year-old boy feels unwanted when his mother places him in a home for wayward children. He goes to a foster home where a family of workers finds him to be too much for them. When the ... See full summary »
Baker's apprentice Chris is sacked from his job for being late. Unwilling to give up the flat that goes with the job, he and his friends resort to squatting. Liv, a Swedish girl moves in ... See full summary »
The only thing more outrageous than French novelist George Sand's torrid love affair with the decadent author Alfred de Musset and her affinity for wearing men's clothing, was the content ... See full summary »
An extremely captivating movie on how a little girl copes with her mother's death. She withdraws from all the people around her, waiting for her mother to come back. She tries waiting, and when her mother still doesn't appear, tries magic chants, praying to God, and then becoming a child of God, to have some power over Him. All to no avail. But then, when she is in despair, her mother does come back ... Written by
Rahul Dodhia <firstname.lastname@example.org>
The magic spell the kids say, "Ta'ali Takum", is actually the "Talitha koum" of Jesus. In Mark 5:41, Jesus says the phrase "Talitha koum" (Aramaic for "Little girl, get up") to a dead girl, when he resurrects her. See more »
In the cemetery scene, Ponette is shown piling dirt onto her legs as she kneels beside the grave. In the next shot, her legs have no dirt and her pants are clean. See more »
The quote is from Andrew Sarris on 'Au Hasard Balthazar' but it seems entirely appropriate for this gem. (And its worth remembering that Doillon's first great film, 'La Drôlesse' bore more than a passing similarity to 'Mouchette').
'Ponette' comes like a bolt from the blue - a sometimes painful, sometimes funny, almost always moving picture of a four-year-old trying to grapple with the meaning of death. Victoire Thivisol's performance is breath-taking, the curious logic of childhood has rarely been so articulately put on film.
If action movies are your thing, avoid it like the plague, otherwise beat down every door until you find it.
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