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Phenomenon (1996)

An ordinary man sees a bright light descend from the sky, and discovers he now has super-intelligence and telekinesis.

Director:

Writer:

(as Gerald Dipego)

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7 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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...
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Prof. John Ringold
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Dr. Wellin
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Al Pennamin
Ashley Buccille ...
Glory Pennamin
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Tito
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Banes
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Jimmy
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Roger
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FBI Agent Jack Hatch (as Bruce Young)
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Ted Rhome
...
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Storyline

John Travolta plays George Malley, who owns the local auto repair shop in a small California town. After celebrating his birthday with friends at the local bar/hang-out, George heads for home. He pauses to watch a strange light in the sky, then collapses for a few seconds in the middle of the deserted street. In the days and weeks that follow, George finds his IQ and consciousness expanding dramatically, and develops telekinetic abilities. Despite his attempts to explain what has happened to him, with just a very few exceptions, most of the local townspeople treat the "new" George as a freak. His state of isolation becomes even more pronounced when his new-found abilities allow him to correctly predict an earthquake, and outside authorities become interested in what's happened to him. Written by - written by: R. Merriman <wyldberi@msn.com>

Plot Summary | Plot Synopsis

Taglines:

Some things in life just can't be explained.


Motion Picture Rating (MPAA)

Rated PG for language and mild sensuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

3 July 1996 (USA)  »

Also Known As:

Fenomen  »

Filming Locations:

 »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$16,200,000 (USA) (5 July 1996)

Gross:

$104,632,573 (USA) (24 January 1997)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

|

Color:

(FotoKem)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kyra Sedgwick has also acted alongside Sean O'Brien and Tony Genaro in another film, Heart and Souls (1993). See more »

Goofs

George is driving over to Lace's house to give her more tomatoes when he sees her two children in a field walking home. They come up to George's tow truck and both hanging on the passenger side window when George offers them a ride. They daughter comes into the cab as seen from George's POV. Then the camera POV changes to about 20-30 feet from the rear of the truck. Both children are now outside the truck, opening the door and get in the cab of the truck in the conventional way. See more »

Quotes

George Malley: [this is from a scene cut from the normal version, after George has escaped from the hospital] ... and this I wrote for you, Nate. This is about soils and some of my own thoughts.
Nate Pope: Your thoughts?
George Malley: Yea.
Nate Pope: You write down the secret to life in here, George?
George Malley: Ahh Nate, you think I know that?
Nate Pope: I think you know something. What? You sum it up in this book here? Or maybe you didn't sum it up. Maybe you think I wouldn't get it, or that I wouldn't understand it.
George Malley: Ahh Nate, you already know it.
Nate Pope: I want you to tell...
[...]
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Connections

Version of The Wonderful World of Disney: Phenomenon II (2003) See more »

Soundtracks

Touch Me in the Morning
Written by Ronald Miller and Michael Masser
Performed by Diana Ross
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Frequently Asked Questions

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User Reviews

Augmented Human Interest
12 August 2000 | by (Somewhere, out there) – See all my reviews

I'm not usually inspired to review your average hollywood fare, but I was moved by this film. Not only did it portray dramatic tension between one who is experiencing 'supernatural' awareness and their hokey, small-town friends, but Phenomenon also gains rank by being one of the first few films with a completely 'open mind.' I attribute its existence to the film Powder, which came out a few years ago, and I am honestly looking forward to more innovative dramas in a similar vein.

It will probably not become a classic, but it deserves to be seen in its time. Perhaps the honesty of this film will inspire other, greater filmmakers with more influence to change their ways and provide more thinking elements in their films.

Watch it with a loved one on a Saturday night.

A good alternative to show those boyfriends who are caught up in their own male-ness. Try this before plopping in Gone with the Wind. It may bridge the gap.


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