The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
Law student Chris Moore is an urban daredevil who gets his kicks from racing across rooftops. When a secret organization approaches him with proof that he is actually the son of a legendary... See full summary »
Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates) search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Simon Templar has no real family, no real home and Simon Templar isn't even his real name. Yet Simon Templar , also known as the Saint for his use of creating false identities using the ... See full summary »
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
Four hundred years ago, a young boy witnessed his father's death during an attack on their ship by the bloodthirsty Sengh Brotherhood. He was washed ashore on Bengalla Island where he swore to devote his life to bring down piracy, greed, cruelty and injustice. He became The Phantom, a masked avenger whose role was passed down for father to son, leading people to believe in an immortal figure called "The Ghost Who Walks". The 21st successor to the role of Bengalla's resident superhero must travel to New York City to prevent a power-hungry businessman from obtaining three magic skulls that would give him the secret to ultimate power. Written by
Kenneth Chisholm <email@example.com>
The Skull is a dominate symbol in The Phantom's life. He lives in the Skull Cave, he wears the Skull Ring, and in the movie, he was trying to find three Skulls. If you look closely at his costume, you will even see a skull design on it. See more »
The motorcycle cops are riding motorcycles with body parts from Indian motorcycles from the '40s when the movie takes place in the '30s. See more »
There's always a danger in bringing comic book heroes to the screen in that most are pretty bad. Some are satisfying, e.g., the Batman and Superman films come to mind. But, the Phantom was essentially a strip comic by Lee Falk that I used to read as a kid and which had been around long before me (I'll be 65 this year). I remember seeing the serial at the Saturday morning matinees and loved the comic strip. Time passes and the Phantom faded and then, in 1993, I went to Somalia as a consultant during the UNITAF occupation and was billeted with the Aussies. To my amazement, I discovered the Phantom was not only alive and well Down Under, but there were active comic books cults, conventions and the like there as well. So, no wonder the film enjoyed a revival of a defunct strip but, alas, there is much to be desired in the effort and the final product is almost a parody of the original. My wife and I saw it for a bargain matinee and I enjoyed it. However, I suffer few illusions that it could not have been done better. It was a romp and maybe, as one reviewer noted, Catherine Zeta-Jones was worth the price of admission. Well, for my part, I liked young Billy Zane's Phantom with the sheepish grin, Treat Williams's sardonic evil smile and Christy Swanson's Diana, a pleasant departure from her Vampire staking role as Buffy. It was also good to see Patrick McGoohan, former Secret Agent Man as the Phantom's predecessor. I think this film is worth the price of a rental for a rainy afternoon.
33 of 36 people found this review helpful.
Was this review helpful to you?