A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people. Written by
Kenneth Chisholm <firstname.lastname@example.org>
The Hollywood mansion shown in the movie was the mansion where the real Larry Flynt lived in the early 1980s. See more »
In the opening scene in 1953, the boys are paid with $1 bills with the words "In God We Trust" printed on the back. The bills in 1953 did not have that phrase, which was added to the bills much later. See more »
Larry, I don't to work at the magazine anymore. People there don't listen me and they don't talk to me. They're afraid of me and they don't shake my hand... Larry, I went to Dr. Robert and... he told me that I was sick. I mean, sick, sick. I mean, I've got AIDS, Larry.
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Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.
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