| Daniel Auteuil | ... | Antoine Rivière | |
| Patrick Timsit | ... | Edouard Berg | |
| Anne Parillaud | ... | Isabelle | |
| Michèle Laroque | ... | Florence | |
| Marianne Denicourt | ... | Nathalie | |
| Clotilde de Bayser | ... | Hélène | |
| Jean-Michel Noirey | ... | Guérin | |
| Marc Berman | ... | Montagner | |
| Anne-Marie Philipe | ... | Rosine | |
| Marc Chouppart | ... | Davenne | |
| Florence Viala | ... | Nina | |
| Aurélien Recoing | |||
| Pierre Amzallag | |||
| Anthony Decadi | ... | Charles | |
| Thierry de Carbonnières | |||
| Jacques Delachaume | |||
| Yvette Etiévant | |||
| Hélène Fillières | ... | Alexandra (as Hélène Filières) | |
| Edgar Givry | |||
| Sylvie Laporte | |||
| Eric Laugérias | |||
| Romain Legrand | ... | Simon | |
| Kelly Listoir | |||
| Anne Le Ny | ... | Fabienne | |
| Jean-Pierre Malignon | |||
| Yves Pignot | |||
| Françoise Pinkwasser | |||
| Lilly-Fleur Pointeaux | |||
| Nadja Reski | |||
| Vincent Solignac | |||
| Gérard Touratier | ... | Gauthier | |
| Umban U'kset | |||
| Jérôme Garcin | |||
| Régine Deforges | (as Régine Desforges) | ||
| Jean-François Josselin | |||
| Louis Gardel | |||
| Anne Jacquemin | ... | La femme sur la photo |
Directed by | |||
| Francis Girod | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Gattegno | novel "Neutralité Malveillante" | |
| Francis Girod | ||
| Michel Grisolia | ||
| Gérard Miller | ||
Produced by | |||
| Bruno Pésery | .... | producer | |
| Michel Seydoux | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Charles Van Damme | |||
Film Editing by | |||
| Geneviève Winding | |||
Casting by | |||
| Pierre Amzallag | |||
Production Design by | |||
| Bernard Vézat | |||
Costume Design by | |||
| Jackie Budin | |||
Makeup Department | |||
| Marianne Collette | .... | makeup artist | |
| Michel Demonteix | .... | hair stylist | |
| Cédric Gérard | .... | makeup artist | |
| Hervé Soulié | .... | makeup artist | |
| Patrick Villain | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Romain Baudin | .... | trainee assistant director | |
| Philippe Letode | .... | assistant director | |
| Camille Lipmann | .... | assistant director | |
| Candice Mahout | .... | assistant director | |
| Badreddine Mokrani | .... | assistant director (as Badreddine Mokhrani) | |
| Sarah Teper | .... | assistant director | |
| Thierry Verrier | .... | assistant director | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Michel Bensaid | .... | boom operator | |
| Pascal Chauvin | .... | foley artist | |
| Laurent Dreyer | .... | foley engineer | |
| Patrick Egreteau | .... | foley artist | |
| Jean Goudier | .... | sound recordist | |
| André Hervée | .... | sound | |
| Thierry Lebon | .... | sound re-recording mixer | |
| Jean-Louis Lebras | .... | boom operator | |
| Jean-Max Morise | .... | post-synchronization | |
| John Timperley | .... | sound engineer | |
Special Effects by | |||
| Georges Demétrau | .... | special effects | |
| Philippe Sylvain | .... | special effects | |
Stunts | |||
| Joëlle Baland | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Patrick Cauderlier | .... | stunts | |
| Pascal Garnier | .... | stunts | |
Camera and Electrical Department | |||
| Lionel Bailly | .... | electrician | |
| Philippe Cadeau | .... | gaffer (as Philip Cadeau) | |
| Thierry Canu | .... | grip | |
| Pierre Coquet | .... | electrician | |
| Alain Dondin | .... | electrician | |
| Roland Dondin | .... | electrician | |
| Gilbert Duhalde | .... | camera operator | |
| Yorgos Giannelis | .... | second assistant camera | |
| Philippe Lannezval | .... | assistant camera | |
| Jean-Claude LeBras | .... | gaffer | |
| Jean-Marie Leroy | .... | still photographer | |
| Alain Manzon | .... | key grip | |
| Stephane Manzon | .... | grip | |
| Patrick Pamart | .... | grip | |
| Claude Pillas | .... | grip | |
| Christian Thurot | .... | electrician | |
| Eric Thurot | .... | electrician | |
| Roger-Paul Tizio | .... | assistant camera | |
| Jean-Pierre Voisin | .... | electrician | |
| William Watterlot | .... | assistant camera | |
Casting Department | |||
| Marie-Sylvie Caillierez | .... | casting: children | |
Costume and Wardrobe Department | |||
| Saphira Adam | .... | costumer | |
| Marie-Christine Budelberger | .... | costumer | |
| Ann Dunsford | .... | costumer (as Anne Dunsford Varenne) | |
| Tess Hammami | .... | costumer | |
| Ghislaine Renier | .... | costumer | |
| Tess | .... | costumer | |
Editorial Department | |||
| Christian Dutac | .... | color timer | |
| Louise Genis-Cosserat | .... | assistant editor (as Louise Genis) | |
| Agnès Schwab | .... | assistant editor | |
| Sandrine Strauss | .... | assistant editor | |
Music Department | |||
| Alexandre Desplat | .... | orchestrator | |
Other crew | |||
| Jean Cirla | .... | location manager | |
| Vero Cratzborn | .... | production assistant (as Véronique Cratzborn) | |
| Suzanne Durrenberger | .... | script supervisor | |
| Marie-Paule Ester | .... | production secretary | |
| Cédric Hutsebaut | .... | ripper | |
| Aurelia Lafaye | .... | production assistant | |
| Philippe Letode | .... | location scout | |
| Laurence Picollec | .... | finance | |
| Alexandre Putman | .... | location manager | |
| Arnaud Putman | .... | ripper | |
| Dominique Segall | .... | unit publicist | |
| Catherine Staub | .... | production administrator | |
| Geraldine Szostek | .... | production assistant | |
| Jean Philippe Varin | .... | animal trainer (as Jean-Philippe Varin) | |
| Murielle Wodka | .... | production administrator | |
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| Elevator to the Gallows | Eyes Wide Shut | Comedy of Innocence | Diabolique | Le Corbeau: The Raven |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb France section |
'Death in Therapy' is a rather engaging thriller in which a psychoanalyst, Dr Riviere, is drawn into an uncertain world of danger and violence as he attempts to determine whether his patient, Berg, is telling the truth when he announces in therapy that he murdered his wife and got away with it.
The narrative belies an understanding that the "patient" is not merely a passive object of analysis, but an actively engaged subject, and in the process of demonstrating the amount of control that Berg is able to exert over his analyst 'Death in Therapy' also makes some pointed observations with regards to the largely classificatory nature of psychiatry and its "professional detachment". To some extent, this point is underlined by Berg himself; in contrast, Riviere's other patients are seen as dull, neurotic, even comedic for Riviere.
An interesting film which raises many pertinent questions.