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Paradise Lost: The Child Murders at Robin Hood Hills (1996)

Not Rated | | Documentary, Crime, Drama | 10 June 1996 (USA)
A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

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Won 1 Primetime Emmy. Another 8 wins & 10 nominations. See more awards »





Cast overview, first billed only:
Tony Brooks ...
Himself - KAIT-TV (archive footage)
Diana Davis ...
Herself - KAIT-TV (archive footage)
Terry Wood ...
Himself - KAIT-TV (archive footage)
Dick Clay ...
Himself - KAIT-TV (archive footage)
Jenna Newton ...
Herself - KAIT-TV (archive footage)
Gary Gitchell ...
Tommy Stacy ...
Himself (as Rev. Tommy Stacy)
Melissa Byers ...
Todd Moore ...
Dana Moore ...
Jessie Misskelley Sr. ...
Gail Grinnell ...
Joe Hutchinson ...

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Berlinger and Sinofsky's documentary of a gruesome triple murder in West Memphis, Arkansas and the subsequent trials of three suspects, takes a hard look at both the occult and the American justice system in 'small-town' America. Three teenagers are accused of this horrific crime of killing three children, supposedly as a result of involvement in Satanism. As in their previous documentary, things turn out to be more complex than initial appearances and this film presents the real-life courtroom drama to the viewer, as it unfolds. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis


It's frightening to think they did it. It's terrifying to think they didn't.


Not Rated | See all certifications »

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Release Date:

10 June 1996 (USA)  »

Also Known As:

America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods  »

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Aspect Ratio:

1.37 : 1
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Did You Know?


Filmmakers Joe Berlinger and Bruce Sinofsky spent 79 days over a 10-month period filming in the actual Arkansas locales. See more »


Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is fact a soliloquy famously from Macbeth. See more »


Ford, Paul: Based on what you've heard up there, do you think Damien might have killed those three boys?
Jason Baldwin: [after a long pause] They make it seem like he did.
Ford, Paul: Do you think he did?
Jason Baldwin: I don't know.
Ford, Paul: Would you have a hard time letting him go if you were on the jury?
Jason Baldwin: Yeah.
See more »


Featured in Siskel & Ebert: The Best Films of 1996 (1997) See more »


Welcome Home (Sanitarium)
By Metallica
Written by James Hetfield, Lars Ulrich, and Kirk Hammett
Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)
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User Reviews

A Modern Tragedy
12 July 2002 | by (United States) – See all my reviews

The question at hand in the film Paradise Lost is not as much did these three teenagers commit this heinous act, but rather was there enough evidence to convict them for the murders. The answer, presented by material in the film, is an unflinching no. There was only speculation and rumor to convict the three.

The film's strengths are that it doesn't preach, at least not in an overly wrought narrative, and it contains intimate moments with the accused and their families as well as the families of the victims. Being a victim of a violent crime to something of this degree I understand the pain and confusion of the victim's families. What is hard to understand is the bloodlust and need for revenge and retribution that immediately takes hold of them. The victims' families are the most terrifying aspect of this film. At one point the mother of the Byrnes child says in a hateful and spiteful tone "I hate them... I hate them and the mother's that bore them."

Is there anything wrong with being hellishly angry with someone who has butchered your child? No, quite natural really. But the point of this film is that judgment was passed on these kids long before the trial even started. I imagine the Bible belt is a very scary place to be raised in... I'll have to ask Brad Pitt what he thinks about it some time.

On the issue of the prosecution. They had next to nothing. A very questionable confession from a terrified kid, Jessie, with a 72 IQ, hearsay from a couple of kids who claim they heard Damien bragging about the murder but have no proof, a knife found behind Damien's house which doesn't match the wounds on the bodies, and the assertion that because Damien read about Wicca, he must be a Satanist.

To look at the three kids is also an interesting aspect of the film. Jessie, a very small and slow kid seems a bit lost in the world. His IQ is low but he has no previous records of any type of behavior that would associate him with murder. Jason speaks in short breathless words and seems also to suffer from a low IQ. Damien is the key to everything in this film though. The defense made the key mistake of letting Damien take the stand for two reasons. The first reason is that Damien appears to have ADD and after the first 10 minutes of questioning he sort of fades away and answers in bland yes and no's. The second reason, and the most important, is that Damien is obviously extremely bright. Normally this wouldn't seem to be a problem but judging from every single person the filmmakers put on camera, smart people are hard to come by in that area of the world. Damien scared them.

All of this adds up to the fact that there was not enough evidence to put these kids away and there were other, more sinister and shocking, suspects that needed to be pursued. The war rages on for the West Memphis Three and it is indeed frightening to think that they did it, and terrifying to think they didn't.

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