Since girlhood, TAYLOR has believed that love and marriage are the most important events in every woman's life. Now she's 35 and single with no prospects in sight. As Taylor and her friends... See full summary »
A former mob hitman, now in witness protection, is forced to come out of retirement when his family is threatened by his cohorts. He teams up with a skateboarding kid, who has a computer ... See full summary »
Mark L. Lester
C. Thomas Howell
Leave Day is a dark comedy centered on a convict who is granted a 12-hour furlough from prison. The film will take you on an adventure as the main character encounters one problem after the... See full summary »
When two femme fatales have their pockets picked in Spain, they go on the grift. Scam artists starting with petty theft, the damsels rise to become the 'Mickey Finn' girls of the Riviera. ... See full summary »
Chaos unfolds as Tom is roped into being a pallbearer (and delivering the eulogy!) by the mother of a recently deceased "friend" from high school that he just can't remember. In the meantime, an unrequited love from high school (NOT the dead guy's girlfriend) reappears in his life. Written by
One of the music tracks that composer 'Stewart Copeland' wrote for the film, "Bill is Dead", was later remixed for the 1998 video game "Spyro the Dragon", which Stewart also composed. It was used as the music for the Lofty Castle level, where it played at a faster pace and with a few minor differences in instrumentation. See more »
The legal pad Tom scripts his phone call on is yellow in medium shot and white in the closeup inserts. See more »
[In restaurant, in front of Julie and her parents]
So, this is Julie! Why don't you tell her, Tom, what you did to your best friend's mother?
He wasn't my best friend. I hardly knew him!
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The tone of this film is really difficult to convey on paper. It manages to successfully capture the elusive appeal that David Schwimmer has from time to time; it's easy for his sad-sack personality to grow annoying and pathetic, but this script managed to walk that line. The scenes of embarrassment and shame never seem overdone or cheap, and serve the story well. I especially like the down-to-earth, realistic beauty that Gwyneth Paltrow always brings to a role; she never seems like a movie star playing a real person. Because of Schwimmer's brief tenure as a star with buzz, this was seen as a box office failure, but it was never the kind of movie likely to rake in huge bucks. For what it is, a small, thoughtful, offbeat romantic comedy, The Pallbearer is a winner.
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