Since girlhood, TAYLOR has believed that love and marriage are the most important events in every woman's life. Now she's 35 and single with no prospects in sight. As Taylor and her friends... See full summary »
West Los Angeles - home of the young, rich and hip. It is also home to twenty-five year old Zachary "Zeus" Andrews. Transplanted from Chicago as a kid, Zeus never fit into the hip LA ... See full summary »
Undercover narcotics officer Yancy is always faced with difficult decision-making when it comes to his work, but the lines become even more blurred when other factors come in to play. His ... See full summary »
Red Sheep explores the complexities and depths of subconscious emotions like jealousy, fear, rage, guilt and pride through an abstract and metaphysical kaleidoscope. After taking his own ... See full summary »
When two femme fatales have their pockets picked in Spain, they go on the grift. Scam artists starting with petty theft, the damsels rise to become the 'Mickey Finn' girls of the Riviera. ... See full summary »
Chaos unfolds as Tom is roped into being a pallbearer (and delivering the eulogy!) by the mother of a recently deceased "friend" from high school that he just can't remember. In the meantime, an unrequited love from high school (NOT the dead guy's girlfriend) reappears in his life. Written by
One of the music tracks that composer 'Stewart Copeland' wrote for the film, "Bill is Dead", was later remixed for the 1998 video game "Spyro the Dragon", which Stewart also composed. It was used as the music for the Lofty Castle level, where it played at a faster pace and with a few minor differences in instrumentation. See more »
The legal pad Tom scripts his phone call on is yellow in medium shot and white in the closeup inserts. See more »
The tone of this film is really difficult to convey on paper. It manages to successfully capture the elusive appeal that David Schwimmer has from time to time; it's easy for his sad-sack personality to grow annoying and pathetic, but this script managed to walk that line. The scenes of embarrassment and shame never seem overdone or cheap, and serve the story well. I especially like the down-to-earth, realistic beauty that Gwyneth Paltrow always brings to a role; she never seems like a movie star playing a real person. Because of Schwimmer's brief tenure as a star with buzz, this was seen as a box office failure, but it was never the kind of movie likely to rake in huge bucks. For what it is, a small, thoughtful, offbeat romantic comedy, The Pallbearer is a winner.
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