| Colin Buchanan | ... | Mark Easterbrook | |
| Jayne Ashbourne | ... | Kate Mercer | |
| Hermione Norris | ... | Hermia Redcliffe | |
| Leslie Phillips | ... | Lincoln Bradley | |
| Michael Byrne | ... | Venables | |
| Jean Marsh | ... | Thyrza Grey | |
| Ruth Madoc | ... | Sybil Stamfordis | |
| Andy Serkis | ... | Sergeant Corrigan | |
| Trevor Byfield | ... | Inspector Lejeune | |
| Tim Potter | ... | Dr. Osbourne | |
| Louise Jameson | ... | Florence Tuckerton | |
| Catherine Holman | ... | Poppy Tuckerton | |
| Richard O'Callaghan | ... | Donald | |
| Anna Livia Ryan | ... | Tilly Tuckerton | |
| Maggie Shevlin | ... | Bella | |
| Brett Fancy | ... | Ricky Flood | |
| Geoffrey Beevers | ... | Father Gorman | |
| Wendy Nottingham | ... | Eileen Brandon | |
| Tricia Thorns | ... | Jessie Davis | |
| Johanna Kirby | ... | Mrs. Coppins | |
| Kieran Cunningham | ... | Barman | |
| Martin Oldfield | ... | Desk Sergeant | |
| Martin Milman | ... | Dr. Wylie | |
| Sam Bond | ... | Doctor | |
| Steve Weston | ... | Ned Thackeray | |
| Martin Kennedy | ... | Tate | |
| rest of cast listed alphabetically: | |||
| Louise Green | ... | Third Witch from Macbeth (uncredited) | |
| Tony Red Richards | ... | Sergeant (uncredited) | |
Directed by | |||
| Charles Beeson | |||
Writing credits(in alphabetical order) | ||
| Agatha Christie | novel | |
| Alma Cullen | ||
Produced by | |||
| Adrian Bate | .... | producer | |
| Liz Bunton | .... | associate producer | |
| Delia Fine | .... | executive producer: A&E Television Networks | |
| Guy Slater | .... | executive producer | |
Original Music by | |||
| Colin Towns | |||
Cinematography by | |||
| Witold Stok | |||
Film Editing by | |||
| David Blackmore | |||
Casting by | |||
| Suzanne Crowley | |||
| Gilly Poole | |||
Production Design by | |||
| Robin Tarsnane | |||
Art Direction by | |||
| Sharon Cartwright | |||
Costume Design by | |||
| Judy Pepperdine | |||
Makeup Department | |||
| Anne Oldham | .... | makeup designer | |
Production Management | |||
| Philip Leach | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Simon Hinkly | .... | first assistant director | |
| Steve Robinson | .... | second assistant director | |
Art Department | |||
| John Hogan | .... | property master | |
| Don Worts | .... | production buyer | |
Sound Department | |||
| Brigitte Arnold | .... | sound editor | |
| Colin Chapman | .... | sound editor | |
| Rupert Scrivener | .... | dubbing mixer | |
| John Taylor | .... | sound recordist | |
| Steve Fish | .... | boom operator (uncredited) | |
| Ian Tapp | .... | adr editor (uncredited) | |
Camera and Electrical Department | |||
| Jeremy Hiles | .... | camera operator | |
| Laurie Shane | .... | gaffer | |
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| The Day of the Locust | So Sweet, So Dead | The Wicker Man | The Reckoning | Endless Night |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb UK section |
Agatha Christie's "The Pale Horse" is not one of my favorite Christie books. There is no Poirot or Miss Marple to liven things up, and the witchcraft motif seems contrived.
The film of the same name is a 1997 British TV production, loosely based on Christie's novel. I wasn't expecting much from this film, and not much was what I got. The film's confusing plot meanders around, seemingly without direction. There are too few suspects. And the ending is a letdown, and potentially unclear for anyone not familiar with the book.
On the other hand, the acting is OK, though a bit hammy at times. And the film has good production design.
Overall, this film is not terribly bad. But it's not particularly good either. There are other Agatha Christie movies out there that are so much better. If these films were in competition with each other, most of them would leave "The Pale Horse" at the starting gate.