Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
A middle-aged woman frees herself from the spirit-crushing influence of her husband by refusing to remember what her age is. Her husband works long hours as an advertising executive and ... See full summary »
David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive in Dallas. ... See full summary »
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander. Written by
John H. Henderson <firstname.lastname@example.org>
When Michelle Pfeiffer is in the taxi with George Clooney's phone, he calls her up to give her messages. She then acts totally surprised that they mixed up their cell phones and she has his, but then continues to say he has a meeting at 4, indicating she already knew she had his phone by mistake because she took a phone call for him. See more »
I'm working on a story right now.
You're always working on a story.
Well, Yeah. It's what I do.
It's the same old one about an every-other-weekend, good-time father, for whom responsibility is a dirty word.
Here's a hint, Kristen. During an attempted manipulation, like the one that's in progress, I would have gone with flattery.
Why do I always have to be the grownup where you always get to be the little boy?
Because in the beginning of the relationship when we were choosing up sides, you chose...
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When movies of today try and capture that "old-fashioned" feeling, usually it's the "values" that they're trying to recapture, forgetting that if you don't make a good movie, what you're left with is two hours of preaching. This movie, on the other hand, may be trying to capture that "old-fashioned" feeling, but the values it's after are the values of craftsmanship and intelligence, two things rarely seen in comedies these days. Oh, yes, and chemistry; Clooney and Pfeiffer have it in spades here. The fact that it's set among the world of working parents and, for the most part, tries to get the details right, also helps. And, oh yeah, it's funny. It is a little cloying at times, and the end feels abrupt, but overall this is a pleasing movie.
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