Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
A middle-aged woman frees herself from the spirit-crushing influence of her husband by refusing to remember what her age is. Her husband works long hours as an advertising executive and ... See full summary »
A screenwriter is sent to Mexico to develop a story that can be used to wrap up a movie presently in production. Given a very short time allotment, the writer immerses himself in the ... See full summary »
David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander. Written by
John H. Henderson <email@example.com>
Near the end when Melanie bumps into the table in her apartment, it was apparently not in the script. Michelle Pfeiffer's clumsiness was therefore left in the movie. See more »
After the soccer game, it's evening when Jack puts Maggie to bed, and dark when he gets her out of bed and goes to the fish shop, but then when they're at Melanie's apartment, it alternates from a rainy night to sunlit day out the window. See more »
You know what my mother used to say to me?
Gee, no, what?
Love your guy like a little boy and he'll grow into a man.
So she knew back then that you were gay?
See more »
Charming, delightful, fun and clever; "One Fine Day" is a hit!
In "One Fine Day" Jack Taylor (George Clooney) and Melanie Parker (Michelle Pfeiffer) meet when their children miss a school field trip, and after much bickering they finally agree to take shifts in watching their kids. Over the course of the day they run into countless mishaps and misadventures, and come close together, to understand each other in a sort of non-romantic romantic way.
The first time I saw "One Fine Day" it was 1996 and I was seven years old. I didn't like it. I found it tedious and boring. Now I'm fourteen, and I just finished watching, and I love it? I get all the jokes I didn't get now, all the clever one-liners spoken with a bright, witty confidence that is reminiscent of Frank Capra films.
And clever they are! I have to say, when you subtract a few (very few) somewhat cheesy lines from the script, it becomes perfect. I'd go as far as to say Oscar worthy. Yes, you may think its cheesy that Jack's a famed newspaper columnist bringing down a mob member and the mayor, and Melanie's an architect working on what we imagine is a multi-million dollar deal with big businessmen, but the way it's presented is not that it makes sense, it's that you don't care. And that's not the focus of the film either, the movie would rather be about the minglings of the two leads.
And I have to say, Clooney and Pfeiffer have great, perfect chemistry. Clooney is his usual cool, intense self whereas Pfeiffer is an uptight, worrisome hard worker. They play off each other perfectly. It's not just their chemistry either, their performances stand alone as emotional, funny and smart. I'd go as far as to call Pfeiffer's Oscar worthy.
The style and direction in the film is also notable. There are split-screen conversations, some long steadicam shots, the whole placing of the camera fits perfectly with the light-hearted nature of the film.
A fun, witty, lovable family film, 7.5/10.
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