Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
A middle-aged woman frees herself from the spirit-crushing influence of her husband by refusing to remember what her age is. Her husband works long hours as an advertising executive and ... See full summary »
A screenwriter is sent to Mexico to develop a story that can be used to wrap up a movie presently in production. Given a very short time allotment, the writer immerses himself in the ... See full summary »
David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander. Written by
John H. Henderson <email@example.com>
The plastic wrap on the fishbowl changes between shots. When Melanie first leaves her apartment to go to Maggie's there is no wrap on it. When she's on the street and arrives at school it is covered with wrap and a rubber band. Maggie removes the wrap at "breakfast" and it remains uncovered when Jack takes it to his office. See more »
You are like Roy Scheider at the end of Jaws, the moment I open the mouth you are gonna drop a bomb.
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When movies of today try and capture that "old-fashioned" feeling, usually it's the "values" that they're trying to recapture, forgetting that if you don't make a good movie, what you're left with is two hours of preaching. This movie, on the other hand, may be trying to capture that "old-fashioned" feeling, but the values it's after are the values of craftsmanship and intelligence, two things rarely seen in comedies these days. Oh, yes, and chemistry; Clooney and Pfeiffer have it in spades here. The fact that it's set among the world of working parents and, for the most part, tries to get the details right, also helps. And, oh yeah, it's funny. It is a little cloying at times, and the end feels abrupt, but overall this is a pleasing movie.
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