Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't ...
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Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't use it and comes back. He went as a hero and came back as loser. Even the relation to Danny gets worse. In an act of desperation he jumps from a bridge and just disappears. After years of missing Finbar, he calls Danny from Sweden and Danny follows this call disappearing from this neighbourhood, too. In an odyssey, Danny travels from Stockholm to the far north of Sweden, to Lappland, looking for Finbar. Up there, he does not only meet Finbar but also very nice people and the lovely Abbi. But the friendship to Finbar has changed and their lives evantually separate. Written by
Gerhard Windecker <email@example.com>
Many Irish films have failed because they try to be too commercial - The Courier (attempt at an Irish gangster film), I Went Down (attempt at an Irish Tarantino), the list is elsewhere. The makers of Finbar have obviously learned a lesson from this, and have made a film that is totally un-commercial. The settings are boring (nondescript Dublin housing estate, Sweden). The acting is execrable. The plot is feeble.
The main character is trying to find Finbar (after a lot of tiresome teenage angst), but the scintilla of suspense that this search might have evoked is spoiled by the fact that Finbar is an obnoxious bore, and not worth finding. In short, too much Finbar, not enough disappearance.
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