A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ... See full summary »
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit... See full summary »
A girl believing in God marries an atheist, who is consumed by doubt. They decide to spend their honeymoon in India. Searching the countryside for a guru called the "perfect man," who fobs ... See full summary »
On his fortieth birthday, a man engineers a revolt against himself. He telephones his lovers -- all four of them -- and arranges to meet them at his dance school that afternoon. The women ... See full summary »
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
A forty year old ex-cop goes to Tehran to meet with the director Makmalbaf and act in his latest film. Twenty years ago the director had wounded the policeman with a knife in an attempt to disarm him to take his gun. The filmmaker, who fought against the Shah's regime, was arrested and spent several years in prison. So, today, he proposes to man to reconstruct the story cinematically: each of them will choose a guy to play their roles. The boys chosen take things very seriously and, in the end, will not fight, but rather, will offer one another... the bread and flowers! Written by
When the director Mohsen Makhmalbaf was 17 he stabbed a policeman, now that policeman has come to him to ask for an acting job. The work begins to reconstruct the actual incident and they both work on picking their younger selves. However the actors who are to play them are almost identical in their personality.
In many ways it's comparable to the style of Jean-Luc Godard. It sets up absurd situations and plays with reality, even within the films own reality. The film is indeed an odd mix. It's basically about it's own creation. And some parts, as the actual incident happened in real life. Though many elements are played for laughs and could be classified as a comedy it separates from Godard in one major point. Instead of having sarcasm under it's surface we will her find humanity and suffering.
In full it's a look at Irans culture and the old and the new generations view of violence and what it takes to be good. It's artistic style helps to enhance not only the absurdity but also the isolation that can be found in this society. A film about progress and memories that is sure to evoke emotions.
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