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No Way Home (1996) More at IMDbPro »


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Overview

User Rating:
6.9/10   698 votes
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Up 1% in popularity this week. See why on IMDbPro.

Director:

Buddy Giovinazzo

Writer:

Buddy Giovinazzo (writer)

Contact:

View company contact information for No Way Home on IMDbPro.

Release Date:

September 1997 (USA) more

Genre:

Crime | Drama more

Tagline:

Nowhere to go. No one to trust. more

Plot:

An ex-cons future is threatened by his brother's involvement with drugs. full summary | add synopsis

Awards:

1 win more

NewsDesk:
(4 articles)

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User Comments:

Powerful, with an every day tone more (15 total)


Cast

  (Cast overview, first billed only)

Tim Roth ... Joey

James Russo ... Tommy

Deborah Kara Unger ... Lorraine

Joseph Ragno ... Ralphie
Catherine Kellner ... Denise

Saul Stein ... Brick
Bernadette Penotti ... Ronnie
Gareth Williams ... Ken Tierno
Jerry Dean ... Jackie
Larry Romano ... Carter

Mike Grief ... Gastank
Brian Burke ... Jason
James Starace ... Jeremy
James Shue ... Louie
Heather Gottlieb ... Candy
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Additional Details

Also Known As:

Gasoline Alley (USA) (working title)
more

MPAA:

Rated R for strong violence, sexuality and language.

Runtime:

Argentina:102 min | Germany:101 min | UK:89 min | USA:99 min

Country:

USA | UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1 more

Sound Mix:

Dolby SR

Company:

Orenda Films more


Fun Stuff

Goofs:

Continuity: When Scolero first comes to Tommy's house to collect his debt, he is accompanied by two men: Brick and Hamstring. When the gangsters return, Hamstring is no longer with them, and has been replaced by another man who appeared in an earlier scene in Ralphy's garage. more

Movie Connections:

Referenced in Independents' days (1997) more

Soundtrack:

I Want You To Move more


FAQ

This FAQ is empty. Add the first question.
3 out of 4 people found the following comment useful.
Powerful, with an every day tone, 24 May 1999

Joey gets out of prison after six years. What crime he has served we don't know yet. He goes to his parental home and rings on the door. A blonde opens. Joey asks for his brother Tommy, troubled the blonde goes to get him. A surprised Tommy invites his younger brother. Against his wife's (the blonde) wish Tommy and Joey agree that Joey should live at their home a while, until he get a job and can get a place of his own.

Tommy sells grass and Lorrain works as stripper at private parties. Joey is determined to not get in to jail again and begins to work as a window cleaner. Something that Tommy think is stupid, because there's more money to earn on drugs.

Joey - who according to himself, is a bit 'slow' since a incident in childhood - develops with time a special relationship with Lorrain, who's at first is skeptical to Joey's stay in the house. Tommy appears the longer the film goes as a real a**hole - he doesn't do anything home, is unfaithful and lies to his wife. When Joey asks Lorrain is happy with her situation he explain, in the key scene of the film, that marriage doesn't have any benefits; "You get marry when you're in love, then you get tired with each other". Lorrain is in any case grateful of that Tommy haven't during their more than four years together never have beaten her once. Something that her former husband did.

No Way Back (the title unfortunately sounds like an inferior action flick.) is a traditional film, without too many clichés. The director manages to work up scenes and solutions we recognize to something natural. Powerful, with an every day tone (e.g. when Joey visits his former girlfriend).

The actors in the three leading roles are exquisite: Tim Roth as Joey does a typical Tim Roth role without because of that it would be too much Tim Roth of the role. James Russo (Tommy) makes a role portrait who resembles that kind of things he done before, but I want to rank this performance as the best I've seen from him. Deborah (Kara) Unger as Lorrain, who placed the centre of gravity on the acting and not to look sexy, convinces with her restrained acting style in her study of a woman who's become tired.

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