Intended as the concluding film in the trilogy on the modern history of Taiwan began with Beiqing Chengshi (1989), this film reveals the story through three levels: a film within a film as ... See full summary »
In Shanghai in the 1880s there are four elegant brothels (flower houses): each has an auntie (called madam), a courtesan in her prime, older servants, and maturing girls in training. The ... See full summary »
Tony Chiu Wai Leung,
The film focuses on three city folks who unknowingly share the same apartment: Mei, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-ang, who's ... See full summary »
In the first half of this century, young Li Tienlu joines a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers. During World War II the Japanese... See full summary »
When a young street vendor with a grim home life meets a woman on her way to Paris, they forge an instant connection. He changes all the clocks in Taipei to French time; as he watches ... See full summary »
A strange disease starts to affect people in Taiwan just before the year 2000. The authorities order everyone to evacuate, but some tenants of an apartment building stay put, including a ... See full summary »
Defying his parents, Hsiao Kang drops out of the local crammer to head for the bright lights of downtown Taipei. He falls in with Ah Tze, a pretty hood and their relationships is a confused... See full summary »
Taipei. A voice off-camera looks back ten years to 2000, when Vicky was in an on-again off-again relationship with Hao-Hao. She's young, lovely, and aimless. He's a slacker. Cigarettes and ... See full summary »
Based from true story, primarily a conflict between two youth gangs, 14-year-old young boy's girlfriend conflict with the head of the gang for unclear reason, until finally there was a painfully incident.
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
Goodbye South Goodbye presents a beautifully delineated portrait of a generation of Taiwanese cut off from their society's traditional values. Hou records a world stuck in short-lived businesses and scams in which the characters have no real shot at economic advancement. The characters are cold, rootless, and basically corrupt. No real communication is taking place here. It reminds me of "The Wind Will Carry Us" where the cell phone represents an intrusion of western technology in a village steeped in tradition.
This film portrays the contrast between the almost feudal tradition and its hierarchy with gangsterism and corrupt business practices. Somehow, Hou transcends this feeling of entrapment and aimlessness with long takes of lyrical beauty. For example, the green filter shown when the three are riding through a tunnel in Taipei, the three riding their motorcycles up a steep hill, a moment of grace and freedom.
The camera in this film does not judge. It simply records the unfolding of events. Hou simply discloses the character of complex relationships and situations. This film, like all of HHHs films that I've seen including his new "Millennium Mambo", is pulsating with rhythm, the rhythm of a train, the rhythm of punk music, the rhythm of life.
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