Ein weiteres Highlight am deutschen Kinohimmel. Ein Förderprogramm bringt die beiden Kanckis Gerd und Steinbock in die Obhut von Frauen. Dort sollen sie beweisen, dass sie in der Lage sind ... See full summary »
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
The young policeman Koeppe just left the academy and is transferred to a small police station in the countryside. He's a merry guy and dreams of a career, however he's not very bright. A ... See full summary »
Bernd Michael Lade,
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in Tequila and decide to take one last trip to ... See full summary »
Jan Josef Liefers,
Thierry van Werveke
A burned-out bodyguard is hired to protect the man he hates the most: an international assassin who destroyed his career and ruined his life. Forced to put his personal feelings on hold, ... See full summary »
Bibi Blocksberg is a girl with special powers: she is a witch. With her best friend Tina brings her summer holidays at the riding school. Together the girls are riding every day. But this ... See full summary »
Lina Larissa Strahl,
In order to catch a basketball from the favorite team of his girlfriend's spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the ... See full summary »
Alexandra Maria Lara,
Christoph Maria Herbst
Ein weiteres Highlight am deutschen Kinohimmel. Ein Förderprogramm bringt die beiden Kanckis Gerd und Steinbock in die Obhut von Frauen. Dort sollen sie beweisen, dass sie in der Lage sind sich in die Gesellschaft zu integrieren. Nun bringt Gerd dummerweise einen Barbesitzer um. Damit hat der Ausflug in die Freiheit vorlaeufig ein Ende. Written by
Axel Wittrowsky <email@example.com>
This male chauvinist comedy starts promising refreshing, but as the story develops the viewer is confronted with a very trivial love story.
But Detlev Buck knows his metier and this film is far better (made) than the average German 90's comedy. Buck is supported by the very good cinematography of Idziak whose use of colour is excellent. Almost as a rule in 90's German cinema the music is no more than muzak.
Heike Makatsch almost steals the film.
4 of 8 people found this review helpful.
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