Historical drama set in the 1950s. Story is based on real-life events. Rosemarie Nitribitt comes out of a remand center, runs away from her foster parents and ends up working as a barmaid ...
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Yella is estranged from her possessive and violent husband; but he can't quite bring himself to give her up. When their fraught interaction finally comes to dramatic conclusion, Yella's life takes an odd shift.
West Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring ... See full summary »
Juliane's happiness seems perfect. She is head over heals in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainable ... See full summary »
Philipp Gerber is a smart, but self-satisfied car salesman. In an inattentive moment at the wheel of his car, he runs over a young boy riding a bike and drives away. As he has feelings of ... See full summary »
Ein weiteres Highlight am deutschen Kinohimmel. Ein Förderprogramm bringt die beiden Knackis Gerd und Steinbock in die Obhut von Frauen. Dort sollen sie beweisen, dass sie in der Lage sind ... See full summary »
Historical drama set in the 1950s. Story is based on real-life events. Rosemarie Nitribitt comes out of a remand center, runs away from her foster parents and ends up working as a barmaid in a Frankfurt nightclub. A wealthy French businessman offers to set her up in return for tape-recordings of her sex sessions with German VIPs.
Terrific acting by all of the principal players, especially Hoss as the "bad girl" Rosemarie, whose heartbreak is no less real for the fact that she's a high-priced prostitute. An intelligent, compassionate, forthright film about the Wages of Sin and about the fact that those wages are often paid threefold by women with no economic power or social status who remain at the bottom of the heap while the elite pay next to nothing for the indulgence of their vices and snicker all the way to the bank. Sounds like an old theme, and it is, but this film puts a fresh face on it, with a sharp-tongued screenplay and lots of great 1950s clothing and decor.
If you liked the intense British film "Dance with a Stranger," you'll probably like "A Girl Called Rosemarie." Both films are about feisty, doomed women who fall in love with the wrong men and suffer deeply for it. Various arias and symphonic excerpts from the Verdi opera "La Traviata" (about a doomed courtesan) are used to excellent effect in the soundtrack of "A Girl Called Rosemarie." The spoken German is crisp and enjoyable, and the English subtitles are clear and unobtrusive. Enjoy!
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