Four mental patients on a field trip in New York must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
Construction worker Doug Kinney finds that the pressures of his working life, combined with his duties to his wife Laura and daughter Jennifer leaves him with little time for himself. However, he is approached by geneticist Dr. Owen Leeds who offers him a rather unusual solution to his problems - cloning. Written by
Jonathan Broxton <firstname.lastname@example.org>
In filming the shot in which Doug #1 introduces Doug #3 to Doug #2, Doug #2 tosses a beer to Doug #1. Michael Keaton catching the beer (tossed by a body double) was shot first. Keaton tossing the beer (this time *to* a body double) was filmed later. Keaton's toss so perfectly matched the body double's original toss, that the planned special effect of digitally erasing the tossed beer can then adding in a digital beer can was not needed, thereby saving the production quite a bit of money. This was referred to by the special effects crew as "The Million Dollar Miracle Beer Can Toss". See more »
The cereal box in Doug Kinney's hand changes between shots. See more »
Doug Kinney #4:
[Doug #2 is laying in bed with the flu and Doug #3 has left him alone with Doug #4]
[Doug #2 looks up and sees Doug #4 standing at the foot of his bed with a rubber boot over his head and moves a wood saw back and forth in the air in a sawing motion]
Doug Kinney #4:
That leg's gonna have to come off.
See more »
The first few opening credits each appear on screen two or more times. See more »
Though nowhere near as good as Groundhog Day (director Harold Ramis's previous movie) this is still a solid comedy with several big laughs. Though its situation of a man cloning himself in order to make his life more manageable would have been an interesting one to play with a serio-comic focus, Multiplicity - despite some token moralizing - is pretty much content to play its premise for wacky farce. As such, however, it does an expert job: the timing in the scenes is impeccable and the interplay between the main characters is sharp and memorable. This is especially amazing since the "main characters" here are almost exclusively played by Michael Keaton. His ability to not only delineate between the four versions of himself, but also to play each of these "selves" off convincingly against the others is nothing short of superb. In my mind, this represents a much more awesome achievement than does Eddie Murphy's similar multiple role-playing in The Nutty Professor - and here it's not just pointless showboating (there was no reason besides vanity that Murphy had to play every member of his family), but absolutely intrinsic to the movie's success. Essentially, the film rides on Keaton's ability to do precisely what he does as well as he does. Multiplicity represents his funniest film work in years, and perhaps his best ever.
A couple of scenes in particular stand out as howlingly funny set pieces - such as the one in the restaurant and the one where the clones are left alone with Keaton's wife, played by Andie McDowell. It's a shame her character wasn't at least a little bit more sketched in by the writers (compare this, for example, to her wonderfully three dimensional role in Groundhog Day) - it might have made the film a little fuller. In fact, none of the supporting characters are really given much to do here, making it solidly a one man show. But what a show! With Keaton truly hitting every comic grace note available, you don't really have much time to notice or care about the lack of secondary characters. I have seen this film four times and it has yet to lose one iota of its hilarity or charm. Hey, how much more can you demand from a comedy?
28 of 28 people found this review helpful.
Was this review helpful to you?