| Photos (See all 40 | slideshow) |
| Nick Nolte | ... | Max Hoover | |
| Melanie Griffith | ... | Katherine Hoover | |
| Chazz Palminteri | ... | Elleroy Coolidge | |
| Michael Madsen | ... | Eddie Hall | |
| Chris Penn | ... | Arthur Relyea | |
| Treat Williams | ... | Colonel Nathan Fitzgerald | |
| Jennifer Connelly | ... | Allison Pond | |
| Daniel Baldwin | ... | McCafferty | |
| Andrew McCarthy | ... | Jimmy Fields | |
| John Malkovich | ... | General Thomas Timms | |
| Kyle Chandler | ... | Captain | |
| Ed Lauter | ... | Earl | |
| Larry Garrison | ... | Perino's Maitre d' | |
| Chelsea Harrington | ... | Lolita | |
| Johnna Johnson | ... | Bar Woman | |
| Rick Johnson | ... | Staff Car Sergeant | |
| Britt Burr | ... | Staff Car Driver | |
| Melinda Clarke | ... | Cigarette Girl | |
| Ernie Lively | ... | Foreman | |
| Richard Sylbert | ... | Coroner | |
| Michael Krawic | ... | Assistant Coroner | |
| Titus Welliver | ... | Kenny Kamins | |
| Robert Peters | ... | Cop #1 | |
| William M. Thigpen | ... | Priest (as Father William M. Thigpen) | |
| Drew Pillsbury | ... | Chief's Assistant | |
| Brad Hunt | ... | Guard | |
| Aaron Neville | ... | Nite Spot Singer | |
| Buddy Joe Hooker | ... | DC-3 Pilot | |
| Eddie Caicedo | ... | Gasping Patient | |
| Price Carson | ... | Honor Guard | |
| Azalea Davila | ... | Perino's Girl | |
| Suzanne Solari | ... | Perino's Girl (as Sky Solari) | |
| Alisa Christensen | ... | Spaghetti Girl | |
| rest of cast listed alphabetically: | |||
| Bruce Dern | ... | The Chief (uncredited) | |
| Louise Fletcher | ... | Esther (uncredited) | |
| Khris Kaneff | ... | Construction Worker (uncredited) | |
| Sharmagne Leland-St. John | ... | Woman in Night Club (uncredited) | |
| Rob Lowe | ... | Hoodlum (uncredited) | |
| Johnny Martin | ... | Mafia Hitman (uncredited) | |
| William Petersen | ... | Jack Flynn, Mafia Mobster (uncredited) | |
| Randall Rutledge | ... | Detective (uncredited) | |
| Christopher Warner | ... | Bartender (uncredited) | |
Directed by | |||
| Lee Tamahori | |||
Writing credits(WGA) | ||
| Peter Dexter | (story) (as Pete Dexter) and | |
| Floyd Mutrux | (story) | |
| Peter Dexter | (screenplay) (as Pete Dexter) | |
Produced by | |||
| Mario Iscovich | .... | executive producer | |
| Lili Fini Zanuck | .... | producer | |
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Haskell Wexler | |||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Joseph Middleton | |||
| Shari Rhodes | |||
Production Design by | |||
| Richard Sylbert | |||
Art Direction by | |||
| Gregory Bolton | (as Gregory William Bolton) | ||
Set Decoration by | |||
| Claire Jenora Bowin | |||
Costume Design by | |||
| Ellen Mirojnick | |||
Makeup Department | |||
| Naomi Donne | .... | makeup artist: Melanie Griffith | |
| Carolyn Elias | .... | hair stylist | |
| Bill Fletcher | .... | wig maker: Allison | |
| Susan Germaine | .... | hair designer | |
| Michael Hancock | .... | key makeup artist (as Mike Hancock) | |
| John E. Jackson | .... | special makeup effects | |
| Robert Kushner | .... | other wig maker: Ira Senz, Inc. | |
| Michael McCracken | .... | special makeup effects lab work | |
| Peter Montagna | .... | makeup artist: Chazz Palminteri | |
| Matthew W. Mungle | .... | special makeup effects | |
| Peter Owen | .... | other wig maker | |
| Robert Ryan | .... | makeup artist: Nick Nolte | |
| Gina Rylander | .... | body makeup | |
| David Selvadurai | .... | special makeup effects lab work | |
| Joy Zapata | .... | key hair stylist | |
Production Management | |||
| Jill Rene Gilbert | .... | post-production supervisor (as Jill René Gilbert) | |
| Margaret Hilliard | .... | unit production manager | |
Art Department | |||
| Renee Lee Alito | .... | construction estimator | |
| Richard Berger | .... | set designer | |
| Robert Bleckman | .... | set dresser | |
| Jeff Brown | .... | greens person | |
| Frank Calvert | .... | set dresser | |
| Gary Clark | .... | paint foreman (as Gary A. Clark) | |
| Tim Donelan | .... | set dresser (as Timothy Lee Donelan) | |
| Roger Irvin | .... | construction coordinator (as Roger L. Irvin) | |
| Sharmagne Leland-St. John | .... | assistant: Richard Sylbert (as Sharmagne Sylbert) | |
| Tony Leonardi | .... | stand-by painter (as A.J. Leonardi) | |
| C.J. Maguire | .... | property master | |
| Rudy Reachi | .... | assistant property master | |
| Wendy Riva | .... | assistant art director | |
| Hugo Santiago | .... | set designer | |
| Shana Sigmond | .... | set dressing assistant | |
| Gayle Simon | .... | art department coordinator | |
| Michelle Souza | .... | assistant props | |
| Bennett L. Sperber | .... | construction foreman | |
| Mark Sylbert | .... | assistant art director | |
| William Kemper Wright | .... | lead man (as William K. Wright) | |
| Ron Frazier | .... | propmaker foreman (uncredited) | |
Sound Department | |||
| Beth Bergeron | .... | adr editor | |
| Paul Berolzheimer | .... | sound effects editor | |
| Rick Canelli | .... | adr recordist | |
| Michael C. Casper | .... | additional sound re-recording mixer (as Michael Casper) | |
| Anna R. Delanzo | .... | cable person (as Anna DeLanzo) | |
| Judee Flick | .... | supervising adr editor | |
| Stephen Hunter Flick | .... | supervising sound editor (as Steven Hunter Flick) | |
| Rick Freeman | .... | supervising dialogue editor | |
| Baylis Glascock | .... | sound assistant | |
| Marilyn Graf | .... | foley mixer | |
| Dana Gustafson | .... | sound assistant | |
| Michael Herbick | .... | sound re-recording mixer | |
| Hilda Hodges | .... | foley artist | |
| William Jacobs | .... | foley editor | |
| Mary Jo Lang | .... | foley mixer | |
| Mark Lewer | .... | stereo sound consultant: DTS | |
| Robert J. Litt | .... | additional sound re-recording mixer | |
| Harrison D. Marsh | .... | boom operator (as Harrison Duke Marsh) | |
| Charles Maynes | .... | sound effects editor | |
| Kathleen McCart | .... | sound recordist | |
| Bob McNabb | .... | dialogue editor (as Robert McNabb) | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Frank A. Montaño | .... | sound re-recording mixer (as Frank A. Montano) | |
| Thomas J. O'Connell | .... | adr mixer | |
| Gary Ritchie | .... | sound recordist | |
| John Roesch | .... | foley artist (as John B. Roesch) | |
| Greg P. Russell | .... | additional sound re-recording mixer | |
| Solange S. Schwalbe | .... | supervising foley editor | |
| Charles Ewing Smith | .... | dialogue editor | |
| Carolyn Tapp | .... | foley recordist | |
| Elliot Tyson | .... | additional sound re-recording mixer | |
| Marvin Walowitz | .... | dialogue editor | |
| James E. Webb | .... | production sound recordist (as James E. Webb Jr.) | |
| Linda Yeaney | .... | first sound assistant | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Donald T. Black | .... | special effects crew | |
| Gary L. King | .... | special effects crew | |
| Thomas Love | .... | special effects crew (as Thomas W. Love) | |
| Samuel E. Price | .... | special effects foreman | |
| Thomas R. Ward | .... | special effects coordinator | |
Visual Effects by | |||
| Blondel Aidoo | .... | digital effects producer: D.Rez Hollywood | |
| Enid Dalkoff | .... | digital artist: D.Rez Hollywood | |
| Russell Frazier | .... | digital artist: D.Rez Hollywood | |
| Dan Hamilton | .... | film scanning and recording: D.Rez Hollywood | |
| TJ Morgan | .... | supervising digital artist: D.Rez Hollywood (as T.J. Morgan) | |
| Steve Rundell | .... | visual effects designer | |
| Steve Rundell | .... | visual effects supervisor | |
| Robert Scifo | .... | 3D digital artist: D.Rez Hollywood (as Bob Scifo) | |
| Marc Scott | .... | digital artist: D.Rez Hollywood | |
| Janice Tso | .... | digital artist: D.Rez Hollywood | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Lesa Lotito | .... | casting associate | |
| Christine Rhodes | .... | casting assistant | |
| Cate Praggastis | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ann Culotta | .... | costumer | |
| Kendall Errair | .... | costumer | |
| Gilbert S. Hernandez | .... | costumer | |
| Deborah Hopper | .... | costume supervisor | |
| Joe McCloskey | .... | costumer | |
| Anthony J. Scarano | .... | key costumer (as Anthony Scarano) | |
| Cheryl Scarano | .... | costumer (as Cheryl P. Scarano) | |
| Peggy A. Schnitzer | .... | costumer | |
| D. Barak Stribling | .... | wardrobe provider: selected pieces of "Allison's" wardrobe (as Barck Stebling) | |
| Larry Velasco | .... | costumer | |
Editorial Department | |||
| Andrew Dickler | .... | assistant editor | |
| Phil Hetos | .... | color timer | |
| Stephanie Johnson | .... | apprentice editor | |
| Katie Mack | .... | assistant editor | |
| Ray Neapolitan | .... | assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Tatiana S. Riegel | .... | first assistant editor | |
| Kathy Thomson | .... | telecine colorist (uncredited) | |
Music Department | |||
| Scott Grusin | .... | music editor | |
| Frank Macchia | .... | music preparation | |
| Shawn Murphy | .... | music scoring mixer | |
| John Joseph Thomas | .... | music editor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Brad Dechter | .... | orchestrator (uncredited) | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| Dave Grusin | .... | conductor (uncredited) | |
| Dave Grusin | .... | orchestrator (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Dave Freed | .... | transportation assistant (as David A. Freed) | |
| Robert K. Johnson | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
| Steve Boyd | .... | transportation coordinator: second unit (uncredited) | |
Other crew | |||
| Joene Acord | .... | assistant accountant | |
| Maria Arago | .... | assistant: Mr. Palminteri | |
| Dale Becker | .... | production office assistant | |
| Brenda Berrisford | .... | assistant: Mr. Zanuck | |
| Dave Brown | .... | hat maker | |
| Kerry Campos | .... | assistant: Ms. Griffith | |
| Donna Cline | .... | medical technical advisor | |
| Steve Cowie | .... | set production assistant | |
| Lorrie Cross | .... | payroll accountant | |
| Darragh Croyle | .... | assistant: Mr. Tamahori | |
| Bob Dambacher | .... | coroner technical advisor | |
| Alicia Delfoss | .... | first aid: construction department | |
| Cheryl Fong | .... | assistant production coordinator (as Cheryl Li Fong) | |
| Miranda Garrison | .... | choreographer | |
| Dylan Goss | .... | aerial assistant: aerial second unit (as Dylan Gross) | |
| Stuart Grusin | .... | assistant: Mr. Grusin | |
| Tommy Harper | .... | set production assistant (as Thomas Harper) | |
| Tom Hoeck | .... | first aid | |
| James G. Holmes Jr. | .... | technical advisor: military | |
| Michael G. Kehoe | .... | craft service: Utah/Los Angeles (as Michael Kehoe) | |
| Kimberly D. Lane | .... | set production assistant | |
| John M. Marcello | .... | technical consultant | |
| James McCabe | .... | location manager (as James M. McCabe) | |
| Karen McKinnon | .... | assistant: Ms. Zanuck | |
| Judd Nissen | .... | production secretary | |
| Anthony Optican | .... | set production assistant | |
| Jennifer Owensby | .... | assistant: Mr. Madsen | |
| Gilbert O. Parra | .... | technical consultant (as Gilbert Parra) | |
| Dan Perri | .... | title designer | |
| Julie Pitkanen | .... | script supervisor | |
| William Reed | .... | police technical advisor (as Chief William Reed) | |
| Steve Sass | .... | aerial assistant: aerial second unit | |
| Greg Shapiro | .... | assistant: Nick Nolte | |
| Spooky Stevens | .... | unit publicist | |
| Lisa W. Strout | .... | assistant location manager | |
| Marilyn Tasso | .... | accountant | |
| Bill Tyler | .... | set production assistant | |
| Joe Wilson | .... | production office assistant | |
| Dean Zanuck | .... | production office assistant | |
| Angeline Renee Cook | .... | lead stand-in (uncredited) | |
| Bill Davis | .... | weapons handler (uncredited) | |
| Paul Harrison | .... | key assistant location manager (uncredited) | |
| Alecia LaRue | .... | production coordinator (uncredited) | |
| Ed Lipscomb | .... | assistant location manager (uncredited) | |
| Raul Moreno | .... | police advisor (uncredited) | |
| Tonya Richardson | .... | production assistant (uncredited) | |
| Lee Steadman | .... | location scout: Utah (uncredited) | |
| Brad Wilson | .... | craft service: second man (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Decent enough movie, with decent performances. Nolte is very good as the leader of an elite, slightly secret police squad dedicated to battling organized crime in 1940's Los Angeles. If the movie had developed something along this line, this may very well have been a terrific movie. This may have allowed the terrific actors who made up Nolte's squad to be developed better (played by Michael Madsen, Chris Penn, Chazz Palmintieri).
However, this movie inexplicably goes off into a plot of murder, sexual intrigue, politics, corruption, military cover-up and the Atomic Energy Commission! What!? The movie seemed to meander so much, and the plot reached a point of ridiculousness. It's unfortunate because this had real possibilities, and Nolte was just superb. There are brief scenes in which we see the squad do what they do best - deal with gangsters trying to gain a foothold in L.A. The look and atmosphere were right on, and there was certainly a solid cast on hand to make this work. Unfortunately, the ridiculous plot made this difficult to accept.
At one point in the film, a military officer sends Nolte's wife a film of Nolte making love to another woman, as a way of blackmailing him. Nolte comes home to see his unsuspecting wife watching this film of him with another woman. The stunned humiliation is played out very well by Nolte and Melanie Griffith. You can see and feel the revulsion that Nolte's character feels, as he tries to answer for what is playing out on the film screen.
Brief pieces of good acting and atmosphere, ruined by a plot with too much stuffed into it. It just reached too far...for what?