Connie Doyle is eighteen and pregnant when her boyfriend kicks her out. She accidentally ends up on a train where she meets Hugh Winterbourne and his wife Patricia who is pregnant. The ... See full summary »
Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. ... See full summary »
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings ... See full summary »
Bobby McLoughlin is the adopted child of Harold and Mary Hohne. He's a problem child, so when he is accused of a murder he didn't commit, he is soon recognized guilty. After a moment of ... See full summary »
Connie Doyle is eighteen and pregnant when her boyfriend kicks her out. She accidentally ends up on a train where she meets Hugh Winterbourne and his wife Patricia who is pregnant. The train wrecks and she wakes up in the hospital to find out that it's been assumed that she's Patricia. Hugh's mother takes her in and she falls in love with Hugh's brother Bill. Just when she thinks everything is going her way, her ex-boyfriend shows up. Written by
Shannon Andrews <Shannon.B.Andrews@m.cc.utah.edu>
Despite having already lost 125 lbs, Ricki Lake was required to lose an additional 20 lbs before filming could begin. See more »
When Connie sits down to a meal of soup eaten according to proper etiquette, the bowls of soup are tilted AWAY from the diners. Then the older Mrs. Winterbourne (Shirely MacLaine) is offered her medication by the chauffeur who takes away her wine glass. She says, ungrammatically, "Who is working for who?" It should be "whom". See more »
This is a Rolls Royce.
Wow, that's like the Cadillac of automobiles, huh?
No, the Mercedes-Benz is the Cadillac of automobiles. This is a Rolls Royce.
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I've always wanted to see this movie but I have to admit it was disappointing. It's just so completely implausible and without logic that it's difficult to enjoy. Yeah, I know that fluffy romantic comedies aren't supposed to be realistic, but this one just stretches credulity too much. The worst deficiency is Brendan Frasier's chilly WASP suddenly and inexplicably melting into a nice guy. He not only changes his opinion about Ricki Lake but seems to completely change personality as well. One moment he's rudely questioning her every move and investigating her and virtually the next he's romancing her, tangoing her around the room and kissing her, and then proposing marriage! He goes from aloof to gooey in 6 seconds flat. It's just too much to swallow. What was it exactly that caused him to fall in love - her charming use of the words "tits" and "ass" at the dinner table? The haircut? (Actually, I liked her hair better long and curly). Don't get me wrong, I love Ricki Lake, and I don't think she was bad here, she just wasn't given anything to do, and we were never given any reason why Frasier should experience such a dramatic sea-change. If perhaps they'd shown that a few months had passed, or something to explain the abrupt turnaround. Frankly, everyone in this movie goes around like their brains are made of mush. I suppose Maclaine's alcoholic character has an excuse, but really, the extremely simplistic and downright stereotypical characterizations of everyone involved (rich people, poor people, gay latino butlers) were insulting. Maclaine, Frasier and Sandoval are excellent comedic actors, and do the best with what they can here, but the characters are not even close to real people. The only real thing I got out of it was drooling over Brendan Frasier, and frankly there are many other superior movies that can be used for that purpose.
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