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|Index||51 reviews in total|
I'm a rather pedestrian person, with somewhat lowbrow tastes. However, I
occasionally try to raise the bar on my cultural awareness. This movie was
one of my attempts. I was in awe throughout the entire movie. I liked it so
much that I got my own tape so I could see it again. This is a very
thoughtful and emotionally striking movie. I saw it as a huge question to
the viewer: What is the depth of sacrifice to duty one can accept, can be
asked to accept, should accept? As a military member, this is of course an
important question to me. This question weighs heavily on the viewer of
It's so rare to find a literary work adequately translated to the screen
that I may have rated this film higher than it deserves, but not by much.
As a long-time student of Vonnegut's works, I have no hesitation in
recommending the film to his readers, at least to those that love him as I
do. The casting is inspired: Nolte is understated in triumph, bewildered
defeat, decisive in judgment. Sheryl Lee is luscious throughout, but her
handling of the treacherous Resi and her tragic crescendo almost makes you
forget her beauty. Alan Arkin delivers a totally lovable, but equally
treacherous, Soviet spy.
Do not feel you have to read Mother Night to appreciate the film; though, if you haven't read Mother Night, you will probably want to after viewing the film.
Notice the shifts from color to black-and-white and back again, and don't miss the final symbolism of Campbell's noose. Watch, also, for Kurt Vonnegut's cameo near the end of the film.
Bing Crosby's "White Christmas" will never sound the same (I write in mid-December, when the song is getting heavy radio play, and it's driving me nuts).
After viewing this film I tried to put my finger on what I truly appreciated about it and found its RESTRAINT to be what captivated me the most. Nolte, not noted for restraint, was amazing in his role as Campbell. His bewilderment, resignation and acceptance of his situation came through with well-crafted acting. The love scenes were remarkably tender. Nolte's responses to the surprises and twists fit the character perfectly. Watch for Vonnegut's cameo!
The folk who produced this masterful film have done fine service to a
that stands as perhaps the best fiction work centering upon human guilt
human responsibility ever published. Nolte takes the role of Howard W.
Campbell, Jr., and makes it his own, remaining true to Vonnegut's
of a man who has lost ALL (to and) for Love.
No weaknesses in this fine adaptation.
This movie pleasantly surprised me. It has a touching, slightly off-center approach that never loses your attention. This is a movie I never heard about, but if you want a "sleeper", this is it. Great writing, production, and acting. I highly recommend it for audiences who want something thoughtful. Nick Nolte, Sheryl Lee and Alan Arkin are marvelous. Why wasn't more made of this movie?
Seldom do I see a movie in which the star performs so well you can hardly believe he is an actor, but he comes across as the real guy he is portraying. I believed Nick Nolte was an American spy who seemed to renounce his American citizenship in World War II--when in fact he should have been rewarded for having served America so well after the war was over and he returned to civilian life. I have seen Nick Nolte in other movies, but never have I been so impressed with his depth of characterization as he manifests in this film.
Before this, the flawed "Slaughterhouse Five" was the best. But this screen adaptation of "Mother Night" is very true to the book and keeps the comedy, mystery, and tragedy intent. Thankfully it wasn't Hollywood-ized or idiotized a la the movie of "Breakfast of Champions." Another good thing about this movie is that you don't have to be familiar with the book to follow it (as I think you do for Slaughterhouse Five). That's probably true of Breakfast of Champions also but they did such a bad job of that you're better off just reading the book and not seeing the movie! Nick Nolte did an excellent job in this film.
I haven't read this book, but all through the movie I was awestruck with
only one thought in my head: This is so Vonnegut. I have never seen an
author, all of the intelligence and life behind the workings of a novel,
translated so well to film. This movie had the same complexities found in
Vonnegut's novels: the jokes were often meaningful and symbolic, and the
dramatic events and symbols were often also jokes.
Campbell was also a very Vonnegut character, portrayed perfectly by Nick Nolte. He had all of the earmarks of a Vonnegut "hero": lack of concern for political boundaries, ironic dark humor giving way to dumb inactivity in response to stress, and an unwillingness to push his version of reality on those around him.
Overall, I was constantly surprised and impressed as I watched this movie. It was the same feeling I had reading "Cat's Cradle," my first Vonnegut novel, as if the most perfectly oddball thing that could happen, he thought of THAT, and he made it real and important. Yes, he has nothing but army surplus "White Christmas" albums. So it goes!
I haven't yet read the Kurt Vonnegut book this was adapted from, but I am
familiar with some of his other work and was interested to see how it would
be translated to the screen. Overall, I think this is a very successful
adaptation of one of Vonnegut's novels. It concerns the story of an American
living in Germany who is recruited as a spy for the US. His job is to
ingratiate himself with high ranked Nazi's and send secret messages to the
American's via his weekly radio show. But when the war ends he is denounced
as a war criminal but escapes to New York, where various odd plot twists
If Mother Night has a problem it's that it tends to get a little too sentimental at times. But for most of the film the schmaltz is kept to a minimum and the very strange plot is carried through with skill and aplomb. And there are some fabulous moments of black comedy involving three right wing Christian fundamentalists and a very highly ranked Nazi in a prison cell. Very much recommended.
Mother Night is one of my favorite novels and going to see this I was
expecting a huge disappointment. Instead I got a film that perfectly
portrays the irony, humor, elequence, and above all else the crushing
sadness of Vonnegut's novel.
This is certainly Nolte's best preformance to date. He captures the defeat and selfloathing of Howard Cambell Jr. consistently from the subtle intonations of his speech to the held back tears behind his eyes.
Alan Arkin is absolutly hilarious as George Kraft. Sherryl Lee is haunting in her detachment from reality as Cambell's young lover. John Goodman is understated and more than effective as Cambell's "Blue Fairy Godmother."
This Pinnocioesque story of Cambell trying to be his own ideal hero and unwittingly becoming his ideal tragic villian is a mature and vivid look into what we are as people. And aside from that, it is one of the most deeply romantic films I have ever come across. Cambell is the incarnation of both foolish and wise love. And at the films sastifyingly painful conclusion, he finally learns what it means to be a real boy as his Blue Fairy Godmother grants him his wish. And he realizes that...well, watch the movie and you'll see.
Mother Night is without a doubt in my mind one of the best films ever made. It is a beautiful poetic story that digs deep within our emotions and is completely faithful to its original author.
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