1963, the night before the 18 years old "Birdlace" Eddie and his friends are shipped to Vietnam. They play a dirty game called 'Dogfight': all of them seek a woman for a party, and who ... See full summary »
He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor's edge.
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
Howard W. Campbell, Jr., an American expatriate playwright, Nazi radio propagandist, and Allied spy, writes his memoirs during his pre-trial confinement in 1961 Haifa and learns that people are what they pretend to be. Written by
Erik Gregersen <email@example.com>
Lieutenant Bernard O'Hare, when he captures Campbell, is not wearing the regulation M1 helmet of WW2 vintage, nor are the two U.S. soldiers who drive Campbell away from the concentration camp. Rather, they appear to be wearing the British paratrooper type-3 helmet, which, interestingly, was adopted by the Israeli Defense Forces in the late 1940's and '50's. See more »
Composed by Arvo Pärt
Performed by Tasmin Little and Martin Roscoe
Courtesy of EMI Classics
Under license from EMI-Capitol Music Special Markets
Used by arrangement with European America Music Dist. Corp., Agent for Universal Edition Vienna,
publisher and copyright holder See more »
As Alan Rudolph's "Breakfast of Champions" slides into theaters with little fanfare and much derision it makes me think back to 1996 when Keith Gordon's "Mother Night" came out. Now for all the talk of Kurt Vonnegut being "unfilmable" it's surprising that he has gotten two superb cinematic treatments (the other being "Slaughter-house Five"). "Mother Night" is certainly one of the most underappreciated films of the decade and I cannot understand why. It's brilliant! It stays almost entirely faithful to Vonnegut's book (without being stilted or overly literary) and adds to it a poetry that is purely cinematic. How many film adaptations of any author's work can claim that? Vonnegut himself even puts in a cameo appearance towards the end of the film, and can you ask for a better endorsement than that? Not only is it a beautiful film, it is a beautifully acted, written and directed film and it is among my picks for the top five or so American films of the 1990s. It's a mournful, inspired, surreal masterpiece that does not deserve to be neglected. I would sincerely encourage anyone to see "Mother Night" - it doesn't even take a familiarity with Vonnegut's work to fully appreciate it (as "Slaughter-house Five" sometimes does). It is a powerful, affecting piece of cinema.
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