A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, ... See full summary »
After 17 years, things have got too predictable and stale. They argue, they visit a marriage counselor, Richard (drunk) visits a prostitute. They split up. After meeting other people, they ... See full summary »
Dick Van Dyke,
Shot by a jealous husband, Charley falls out a porthole and is lost at sea only to find himself returned as an attractive blond woman. His best friend is staying at his house as he puts ... See full summary »
After two failed marriages, a science fiction writer (Brooks) decides coming to terms with his mom will improve his chances for a successful relationship, so he moves in with his mom (Reynolds). Written by
When John pulls into his driveway early in the film, there is another car parked in the street directly in front of his living room window, but when he goes in the house and walks directly to the living room, you can see out that window and there is no car there. See more »
And here's to you, Mrs. Henderson. Your grown son is moving back today. Hey, hey, hey. God help him please, Mrs. Henderson. He looks to you to help him with his life. He lost a wife - again.
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Sometimes, from the endless stream of average movies, comes a gem, this is one such film.
Albert Brooks is impossible to beat if you're looking for character driven comedy, and "Mother" comes second only to another Brooks film, "Modern Romance".
Here we have the story of a science-fiction writer, blocked and fresh from his second divorce. It's the break up with this woman that prompts John Henderson (Brooks) to move back in with his mother, in the hope that solving his life-long problems with her will lead to the solution of his myriad of other problems.
The comedy is brilliant throughout. The scene in his mother's kitchen (food talk) is a contender for the finest comedy scene ever written. And the small things, that other writers neglect, are what make this film a standout: One example is the scene when Brooks' character is attempting to make a start on his next novel; it's truly hilarious, and any telling of its humour hear wouldn't convey the true laugh-out-loud quality of the moment, so just watch the movie.
Albert Brooks and Debbie Reynolds both give perfect performances as the lost and insecure son, and the unsure and uninterested mother, and their chemistry is unique.
An absolute comedy gem, and my second favourite film of all time; second only to "Modern Romance"
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