During prohibition days, many hillbilly moonshine stills were hidden in hills of middle America. Jed Muldoon was about the best runner of moonshine whiskey around. Usually the local yokels ... See full summary »
Joseph K. awakes one morning, to find two strange men in his room, telling him he has been arrested. Joseph is not told what he is charged with, and despite being "arrested," is allowed to ... See full summary »
David Hugh Jones
David Swain is a successful lawyer with political aspirations and he decides to form an organization called the National Justice Project that sets out to help those who were wrongfully ... See full summary »
How tenuous is man's hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is... See full summary »
Gus is a fat cartoonist that recently won a battle against cancer, which explains his baldness. But he is also lonely. Therefore, his caring sister tries to set him up with suitable woman. ... See full summary »
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
During prohibition days, many hillbilly moonshine stills were hidden in hills of middle America. Jed Muldoon was about the best runner of moonshine whiskey around. Usually the local yokels were kinfolk of the runners and looked the other way while they were doing business. Naturally, the federal government was missing out on some tax money and were determined to shut them down. There's three things the government will never control, and one is making home brew. Written by
Richard Jones <email@example.com>
I sat down and turned on the tube as this TV movie was about to begin. I knew nothing about this film but as the first few scenes went by it was clear that there was a talented filmmaker at work. I know nothing what so ever about Mr. Armstrong, the director, but that is bound to change. The film kind of reminded me of Roberto Rodriguez's work, in its love of old rock'n roll, car chases and cool characters that talk cool. But by saying that I am not taking anything away from Mr. Armstrong's highly stylised originality. It would be and probably will be interesting to see what Mr. Armstrong could do if given a higher budget and a bigger platform on which he can display his considerable talent.
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