This near-silent black and white film from Argentina tells the story of a city that has lost its voice, stolen by Mr. TV, and the attempts of a small family to win the voice back. Similar in design to early German expressionist films.
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
In the 70's, eighteen year-old Maria Fabiani lives with her French mother Diane in an old house in Buenos Aires, subletting rooms and giving classes to illiterate adults in the slums. One ... See full summary »
During IMF & World Bank Summit and demonstrations which upset Madrid, like other capitals, major corporation Dekia holds interviews to recruit a top executive from seven applicants. Their ... See full summary »
Recent stories, fears and oblivion seen through a metaphor. A 30-passenger convoy vanishes in the closed circuit of the Buenos Aires underground system. Research will be initiated towards finding the cause of this dematerialization. A young topologist (surfaces mathematician) leads the investigation based on some lost maps and technical data sheets. He cannot find the whereabouts of the old scientist who designed the intricate weft of the subway web, until the unexpected aid from a young girl will ease the obtention of the first clues. Everyting seems to be futile, but a random event that will risk his life gets him into an impossible train, were he will face up the amazing final revelation. Written by
I know I enjoyed this when it first came out, but I had entirely forgotten how well-made it is. In the screenwriter's own words, "Moebius" is the perfect machine. The light! The colors! The tracking shots! The sound design! The director general's giant glass-topped table! Combined with the bold proposition of an architect chasing a wayward train lost in the underground maze that is the subway system of Buenos Aires, the director's attention to detail makes for a holistically surreal experience. One guy who's sure to give you the creeps is the ancient, wailing lift boy taking our hero, Daniel Pratt, down to the university basement. Needless to say, the basement doubles as a subway station. On a forgotten line. Heading nowhere. As Pratt says, it's a strange game. Now Annabel Levy, in the part of his preteen sidekick Abril, I wonder what she's up to these days. It seems she hasn't made a movie since. Chances are she disappeared from the set, never to be met with again. What a shame.
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