Against the backdrop of an increasingly-powerful police state, Miguel returns to Buenos Aires. An innocent bystander, he's shot by a rogue cop, Morea, at a political demonstration. To avoid... See full summary »
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People ... See full summary »
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
Kin-Dza-Dza is something like an "advanced cyberpunk film". It's a lot about people and social structures which on the planet of "Pluke" of course have many parallels to our society. It's a... See full summary »
Recent stories, fears and oblivion seen through a metaphor. A 30-passenger convoy vanishes in the closed circuit of the Buenos Aires underground system. Research will be initiated towards finding the cause of this dematerialization. A young topologist (surfaces mathematician) leads the investigation based on some lost maps and technical data sheets. He cannot find the whereabouts of the old scientist who designed the intricate weft of the subway web, until the unexpected aid from a young girl will ease the obtention of the first clues. Everyting seems to be futile, but a random event that will risk his life gets him into an impossible train, were he will face up the amazing final revelation. Written by
I know I enjoyed this when it first came out, but I had entirely forgotten how well-made it is. In the screenwriter's own words, "Moebius" is the perfect machine. The light! The colors! The tracking shots! The sound design! The director general's giant glass-topped table! Combined with the bold proposition of an architect chasing a wayward train lost in the underground maze that is the subway system of Buenos Aires, the director's attention to detail makes for a holistically surreal experience. One guy who's sure to give you the creeps is the ancient, wailing lift boy taking our hero, Daniel Pratt, down to the university basement. Needless to say, the basement doubles as a subway station. On a forgotten line. Heading nowhere. As Pratt says, it's a strange game. Now Annabel Levy, in the part of his preteen sidekick Abril, I wonder what she's up to these days. It seems she hasn't made a movie since. Chances are she disappeared from the set, never to be met with again. What a shame.
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