When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. In this ingenious and daringly original feature, ...
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In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a ... See full summary »
It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. In this ingenious and daringly original feature, world renowned director Jafar Panahi (The White Balloon, Crimson gold) has wrapped a blunt political critique inside the layers of a deceptively simple film. Written by
[from video jacket]
One of the most brilliant movies you'll ever see! Before the 38-minute mark, you will be caught up in the drama of a lost little second grade school girl wandering along the perilous traffic of Teheran. After the 38-minute mark, one of the most incredible experiences in cinema begins: the meltdown of Mina the Diva. This tiny, squeaky voiced actress refuses to participate in the film anymore, and 4 minutes after her meltdown, director Panahi makes a split second decision that changed the film and his career: KEEP FILMING. The next hour is filled with more drama than any script could ever create: (a) Mina sheds her scarf, an arm cast and clothing before she storms off the bus in a rebellion as bold as a student uprising during the Revolution, (b) After yelling to the camera man to LAY OFF, Mina darts through traffic as the camera tries to keep up with her, but in her haste to flee the set, she keeps the mike on and we hear her footsteps and conversations she has with people as she tries to navigate her way homeshe really does get lost, (c) we have scary scenes when we can't see Mina, but hear cars screeching to a halt: maybe she has she been hit (d) we hear some shady men talking to her, and we wonder is this a child threatened with abduction (e) on the bus and in taxi rides that Mina takes, we hear the true undercurrents of Iranian society regarding the tension between modern women and traditional men, (f) we learn of how compassionate some people can be towards keeping the world's most precious asset, our children, safe. I will not spoil it, but the natural ending to this tale is great. This is one of the best films you can all year. So AfroPixFlix says see it!
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