A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an... See full summary »
Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
Neil Jordan's depiction of the controversial life and death of Michael Collins, the 'Lion of Ireland', who led the IRA against British rule and founded the Irish Free State (Eire) in 1921. Written by
Dawn M. Barclift
One of the sailing vessels pictured in the background as Collins, Boland, and Kitty Kiernan walk along the pier in the Dun Laoghaire Harbour is a Dublin Bay Sailing Club Mermaid. This class of 3-man racing dinghy was designed in 1932, 9 years after Collins' death. See more »
[dictating a letter]
You've got to think of him the way he was... He was what the times demanded. And life without him seems impossible. But he's dead. And life is possible. He made it possible.
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Opening scroll: At the turn of the century Britian was the foremost world power and the British Empire stretched over two-thirds of the globe. Despite the extent of its power its most troublesome colony had always been the one closest to it, Ireland For seven hundred years Britain's rule over Ireland had been resisted by attempts at rebellion and revolution, all of which ended in failure. Then, in 1916, a rebellion began, to be followed by a guerilla war which would change the nature of that rule forever. The mastermind behind that war was Michael Collins. His life and death defined the period, in its triumph, terror and tragedy. This is his story. See more »
Neil Jordan's historical biopic about Michael Collins, the man who fought for a free Ireland in the early 20th Century, has its heart in the right place, but it just doesn't work. I'm not sure why it doesn't work exactly, because it's got a good central performance from Liam Neeson, an intelligent screenplay and handsome production design. Despite all of those qualities, however, it just sits on the screen like a lead paperweight.
One thing that definitely IS wrong with the film is Julia Roberts, horribly miscast and giving a lame performance. Roberts is far too contemporary an actress ever to be convincing in a period piece, and she's not a good enough actress to fake it.
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