Neil Jordan's historical biopic of Irish revolutionary Michael Collins, the man who led a guerrilla war against the UK, helped negotiate the creation of the Irish Free State, and led the National Army during the Irish Civil War.
Neil Jordan's depiction of the controversial life and death of Michael Collins, the "Lion of Ireland", who led the IRA against the UK and helped found the Irish Free State in 1922. Written by
Dawn M. Barclift
When Michael Collins returns from London after the negotiation, he rides a car with Harry Boland and the head of a woman can be seen through the back window. The woman walks at the same speed as the car and remains seen in the same corner of the window, even though the car is increasingly speeding throughout the shot. See more »
[dictating a letter]
You've got to think of him the way he was... He was what the times demanded. And life without him seems impossible. But he's dead. And life is possible. He made it possible.
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Opening scroll: At the turn of the century Britian was the foremost world power and the British Empire stretched over two-thirds of the globe. Despite the extent of its power its most troublesome colony had always been the one closest to it, Ireland For seven hundred years Britain's rule over Ireland had been resisted by attempts at rebellion and revolution, all of which ended in failure. Then, in 1916, a rebellion began, to be followed by a guerilla war which would change the nature of that rule forever. The mastermind behind that war was Michael Collins. His life and death defined the period, in its triumph, terror and tragedy. This is his story. See more »
I saw this first in the now defunct Capitol Cineplex in Cork. I was surprised to see so many senior citizens in the cinema. The cineplex was so scummy it had to be something special to draw them in. Some of them might have been old enough to remember the civil war or at least to have had a close family member killed in it. Many of them were clearly moved by it particularly the end with its archive footage. It is a moving film, but you have to be careful.
One should never confuse history with entertainment and this is not a history lesson. All the major events are there, but there is a horrible bias from the director. I don't like DeValera or what he stood for, but what was hinted at the end in this movie is a travesty. If such a thing is true, you have to prove it, you can't slyly hint at it. There are other insidious things such as mortars and car-bombs which are clear reference to the 1970s-90s Northern conflict. Such weapons did not exist in 1916. To me this is an oblique way of implying that the Provos are somehow the legitimate heirs of the IRA in 1916 which of course they are not.
Despite this I enjoyed the movie a lot. The production values and acting was so good, it really felt like a timewarp. Neil Jordan is a great director, Neeson and Rickman are superb in their parts. Rickman looks so much like DeValera it is uncanny. I even liked Julia Roberts. It looks like she made a fair attempt at a Dun Laoghaire accent and of course it sounded phony. Southside Dublin accents all sound phoney to me anyway so I didn't mind. The best moment was the scene where Collins starts the civil war sitting behind a howitzer aimed at the Four Courts and fires. You can see a huge explosion and bits coming out portico. I actually felt scared that they had damaged this famous Dublin landmark. This won't mean much to someone from overseas, but anyone familiar with the Four Courts and the resident lawyers (sorry "barristers") in their eighteenth century costumes would surely enjoy firing an artillery piece at the overpaid clowns. I wish I had a howitzer like that.
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