In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the ... See full summary »
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Based on the novel of the same name by Edith Wharton, it is about a husband and wife (Ethan and Zeena), who need an extra hand around the house due to Zeena's debilitated body and constant ... See full summary »
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
In 1959 Brighton, disgraced cop turned private detective Tony Aaron works largely on falsifying adulteries for use as evidence in divorce cases. He involves his wife as the fictional ... See full summary »
Laura San Giacomo,
Saxophonist Danny witnesses the murder of his band manager and a deaf-mute girl after a gig. Questioned by the police, he remembers only the orthopedic shoes of the killers' leader. So ... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Neil Jordan's depiction of the controversial life and death of Michael Collins, the 'Lion of Ireland', who led the IRA against British rule and founded the Irish Free State (Eire) in 1921. Written by
Dawn M. Barclift
Director Jordan shows an armored vehicle with a machine gun turret shooting at players and spectators during the Croke Park Massacre in Dublin during a Gaelic Football match. In reality the Black and Tans only used trucks and rifles. See more »
Michael Collins is shown wearing a wrist watch. These were developed specifically for World War I airplane fighter pilots. It is far more likely that Collins would have carried a pocket watch during the period the film covers. See more »
[dictating a letter]
You've got to think of him the way he was... He was what the times demanded. And life without him seems impossible. But he's dead. And life is possible. He made it possible.
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Opening scroll: At the turn of the century Britian was the foremost world power and the British Empire stretched over two-thirds of the globe. Despite the extent of its power its most troublesome colony had always been the one closest to it, Ireland For seven hundred years Britain's rule over Ireland had been resisted by attempts at rebellion and revolution, all of which ended in failure. Then, in 1916, a rebellion began, to be followed by a guerilla war which would change the nature of that rule forever. The mastermind behind that war was Michael Collins. His life and death defined the period, in its triumph, terror and tragedy. This is his story. See more »
After reading through the comments here, I am appalled at the number of people who are willing to take this as gospel - please don't!! The scenes of the Rising and the Civil War are quite accurate (barring such things as carbombs, which someone else has already mentioned) though grossly oversimplified. Kitty Kiernan does not deserve the major part she has been given in this film - Michael Collins was never that interested in women. I have to stress, as someone else has, that there were the Auxiliaries as well as the Black and Tans (so called incidentally, because there were not enough field uniforms to go round, so they were a hodge-podge of different uniforms), and the Auxiliaries, the officiers, were discernably worse than the rank and file. Also, the fighting did nto affect most of the country. A note on the casting - the character of Kitty Kiernan was nto that big, though I think she was given more screen time as she was played by Julia Roberts. Someone tell this woman that she CANNOT do accents. Alan Rickman was more Sheriff of Nottingham than de Valera. Aiden Quinn as Harry Boland wasn't bad, though I would have to quibble about the character, but I feel that is more the fault of the writers than him. And lastly, sorry though I am to say it, Liam Neeson doesn't even compare to Brendan Gleeson's performance as Collins in 1992's The Treaty, even his accent wasn't quite right. For those who would like to know what really happened, I would recomment 'The Treaty', Tim Pat Coogan's biography (though he is a tad biased) and T. Ryle Dwyer's 'Big Fellow, Long Fellow', which is a joint biography of de Valera and Collins. This film is a real disappointment. I would have to repeat Bono's statement
'I'm sick of Irish Americans come up to me, and tell me about the
Revolution back home ... that the majority of people in my country don't want', which, unfortunately are the kind of sentiments that this film has engendered.
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