The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate ... See full summary »
John Travolta is a downtrodden single father raising his daughter under difficult circumstances in Chicago. The young girl comes upon and then nurses a wounded Doberman used for fighting, ... See full summary »
Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
Frank Quinlan and Huey Driscoll, two reporters from a Chicago-based tabloid, along with Dorothy Winters, an 'angel expert', are asked to travel to rural Iowa to investigate a claim from an old woman that she shares her house with a real, live archangel named Michael. Upon arrival, they see that her claims are true - but Michael is not what they expected: he smokes, drinks beer, has a very active libido and has a rather colourful vocabulary. In fact, they would never believe it were it not for the two feathery wings protruding from his back. Michael agrees to travel to Chicago with the threesome, but what they don't realise is that the journey they are about to undertake will change their lives forever. Written by
Jonathan Broxton <firstname.lastname@example.org>
The bar brawl with Michael fighting with a pool cue and garbage can lid is very similar to many famous Renaissance paintings of Michael fighting Satan. See more »
When Michael is dancing in the nightclub, wearing a trench-coat, he spins around in a circle and his trench-coat floats up a little, and there are no wings available, but then immediately following the spin, his wing tips are sticking out from the bottom of the trench-coat. See more »
You know, I invented marriage
Yep. All these people were milling around, trying to get together, everything was in chaos so I told 'em, "Have a ceremony".
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1996's MICHAEL is warm and winning comedy-fantasy that features one of my favorite performances from the John Travolta library. Travolta gives one of his breeziest and most likable performances as Michael, an archangel whose quiet existence at the home of a lonely innkeeper named Pansy (Jean Stapleton) is disrupted when Pansy reports Michael's presence in her home to a "National Enquirer"-like newspaper and the editor (Bob Hoskins) sends reporters (William Hurt, Andie McDowell, Robert Pastorelli) to the motel to check it out. Hurt, McDowell, and Pastorelli are quite good as the jaded news staffers who have a hard time accepting they've met an angel but this is Travolta's show and he rules as the pot-bellied, sugar-eating, cookie-smelling, pie-loving, Aretha-loving, bull-chasing Michael, an angel who just isn't what you think you of when you think of angels. And you have to love the scene in the bar when he and the ladies dance to "Chain of Fools". I love this movie more and more every time I watch it and it's mainly because of the completely winning performance from John Travolta.
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