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Message to Love: The Isle of Wight Festival (1997)

In August 1970 600,000 fans flocked to the Isle of Wight to witness the third and final festival to be held on the island. Besides the music, they also got a look at the greed, cynicism and... See full summary »

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Cast

Credited cast:
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Himself (Jethro Tull)
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Herself
Martin Barre ...
Himself (Lead guitarist, Jethro Tull)
John Bonham ...
Himself
Clive Bunker ...
Himself (Drummer, Jethro Tull)
Chick Churchill ...
Himself (Ten Years After)
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Himself
Billy Cox ...
Himself (Jimi Hendrix's Bassist)
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Himself (The Who)
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Himself
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Himself (The Doors)
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Himself
The Doors ...
Themselves
Graeme Edge ...
Himself (The Moody Blues)
Emerson Lake and Palmer ...
Themselves
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Storyline

In August 1970 600,000 fans flocked to the Isle of Wight to witness the third and final festival to be held on the island. Besides the music, they also got a look at the greed, cynicism and corruption that would plague the music industry for years to come. They also witnessed the final, drugged out performance of Jimi Hendrix in England just two weeks before he would meet a tragic death. When it all was over, the fans view of rock and roll was never the same. Written by Brian Washington <Sargebri@att.net>

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21 February 1997 (USA)  »

Also Known As:

Message of Love: The Isle of Wight Festival: The Movie  »

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1.66 : 1
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Trivia

The vocals in Oasis' song "Fuckin' In The Bushes" is made from samples from this movie. See more »

Quotes

Bert "The Agent": Tiny Tim's straight, I don't know what times he's going on, we had to give him the money first, can't sing with his ukulele without the money, it doesn't tune-up without the money Murray, you understand? Right in cash, in Pounds, they're in there counting it now.
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Soundtracks

Foxy Lady
Written and Performed by Jimi Hendrix
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User Reviews

 
Great rockumentary
10 January 1999 | by (Cleveland, Ohio) – See all my reviews

This film chronicles the 1970 Isle of Wight Rock Festival from behind and on front of the scenes. Incredible concert footage of Hendrix and Jim Morrison (both of whom died just after the festival) as well as numerous other pop, folk, and rock artists make this film wonderful just as a concert video. Even more revealing, though, is footage of the festival's production and management, including riots, rebellious patrons, break-ins, and mordant commentary on why rock festivals don't happen anymore. Beautifully paced and edited.


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