Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Estranged since their father's first stroke some 17 years earlier, Lee and Bessie lead separate lives in separate states. Lee's son, Hank, finds himself committed to a mental institution after setting fire to his mother's house. His younger brother, Charlie, seems unfazed by his brother's eccentricities or his mother's seeming disinterest. When Lee comes to the asylum to spring Hank for a week in Florida so that he can be tested as a possible bone marrow donor for Bessie, Hank is incredulous. "I didn't even know you had a sister," he says. "Remember, every Christmas, when I used to say 'Well, looks like Aunt Bessie didn't send us a card again this year?'" "Oh yeah," Hank says. Meanwhile, Marvin, the two women's bedridden father, has "been dying for the past twenty years." "He's doing it real slow so I don't miss anything," Bessie tells Dr. Wally. In Bessie's regular doctor's absence, it has fallen to Dr. Wally to inform Bessie that she has leukemia and will die without a bone marrow ... Written by
Mark Fleetwood <email@example.com>
After Lee walks in the house, the low camera angle shows her arm down and bag at her side. In the next shot, her arm is up and bag is at waist height. See more »
Uh, Janine, I wonder if you could tell me how long I might have to wait, because I left Aunt Ruth at home in charge of dad, and...
You'll have to see Doctor Wally, because Doctor Serrot is on vacation.
[finishes typing "I quit" letter]
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The producers wish to thank ... the staff and guests of Walt Disney World Magic Kingdom, Orlando Florida, ... the residents and staff of The Florida Manor Nursing Home ... See more »
It's Never Too Late To Mend Broken Relationships Until You're Gone
Scott McPherson adapts a beautiful screenplay from his own play. 'Marvin's Room' could have easily been just another one of those sentimental disease-of-the-weak type TV films but McPherson stays true to the story injecting it with a delightful dose of humour. The film focuses on broken relationships and how it's never too late to take the step to mend them until you're gone. The execution is simple and that works very well. The score is in sync with the flow. The writing is beautiful. The dialogues are cleverly written.
Diane Keaton is marvelous in a role that could have easily turned out to be a cliché if it were played by a lesser actress. She plays her part naturally with a quiet and yet layered restraint. Meryl Streep does a fine job as the slightly more rebellious and estranged sister who had escaped from having to take care of her father and is proud of her diploma. Leonardo Dicaprio isn't bad either. Robert De Niro is great in a more laidback role. He also reveals a flare for comedy. His scenes with a splendid Dan Hedaya had me laughing. Gwen Verdon is a delight and she provides excellent comic relief. Hume Cronyn doesn't have a scene out of bed but he definitely makes the viewer take note of his performance.
My favourite scene is towards the end when the two sisters chat in the kitchen. Keaton's Bessie may have been 'consumed' by taking care of her ailing father and aunt, not 'leading' her own life like the typical American woman but the amazing thing is that she doesn't regret it because she is proud that she has given them so much love and that she can do the same now with her sister and nephews. Then there's the ending which is superbly done. You're left wanting to know how these wonderful characters are doing but at the same time one can acknowledge that it's the best way to end.
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