Gene Reardon (Hauer) is a twice-divorced police detective who lives with his daughter. When a well-heeled local man is kidnapped, the FBI is called in, which introduces Longsworth (played ... See full summary »
Jack London's classic story from 1903 about Buck, a dog kidnapped from his home in California and taken to the Yukon where he is mistreated until a prospector discovers him and relates to ... See full summary »
Charles Edwin Powell
This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather... See full summary »
In a futuristic London, the rising sea levels mean that large areas are under feet of water. Hauer plays a cop who previously lost his partner to some strange creature. Now the creature is ... See full summary »
Doctor Rue Wakeman and his équipe create a young man with skin and organs taken from other men and women. The creature (Lazarus) reads a lot of books and learns all about the humans. But ... See full summary »
This movie features a character who is supposed to be the descendant of the character played by Steve McQueen in the television series of the same name. And like McQueen's Josh Randall, ... See full summary »
On the surface, Mariette in Ecstasy is a very Christian movie.
On the surface, Mariette in Ecstasy is a very Christian movie. It is even more so a Catholic movie -- dealing with the very Catholic phenomenon of stigmata: the spontaneous appearance of Christ's wounds on the body of a believer. Now, keep in mind, I'm not a Christian.
I saw Mariette in Ecstasy at a 1996 pre-release screening in Santa Monica, CA (where one can so easily get free tickets weekly if one knows which street to walk down in the evenings or on the weekends).
Mariette is an extremely compelling movie -- if one is not dead-set against religion or Catholics before stepping into the theater. Mariette is a teenager who is determined to become a nun. She enters a convent as a novice and soon thereafter begins experiencing mystical transformations. Mariette's cohabitants in the nunnery do not much appreciate the attention-getting side-effects her stigmata naturally generates. The film does an excellent job presenting this difficult subject matter captivating manner.
The ending is quick and somewhat dissatisfying in concluding the story without the strong emotional sentiments generated by the rest. But the biggest disappointment was the reaction of the movie-goers. I've seen the young crowds in Santa Monica cheer some of the most atheistic and degrading of films; but most seem unable to appreciate topics outside their own experiences and mindset.
To the best of my knowledge, Mariette in Ecstasy was never released in the U.S. I suppose the distributors got discouraged by the comments on the survey forms. Too bad they caved in without giving Mariette a chance. They must have forgot that not everyone lives in Santa Monica.
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