A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
This series was based on the book by John Grisham about Reggie Love, a lawyer, who just started her practice and is also a recovering alcoholic which was made into a movie starring Susan ... See full summary »
Two sisters, Amanda, 11, and Laurel, 16, run away from their different adopted parents, sleeping in model homes, or wherever they can. But when Laurel becomes pregnant, they find they can't make it through this crisis on their own. With nowhere else to turn, they decide to kidnap Elaine, a clerk in a baby supply store. But Elaine seems to need Manny and Lo just as much as they need her. Written by
Mike Myers <email@example.com>
This is the sweetest film. It's definitely a 'chick thing' with Manny and Lo and Elaine bonding around an infant to be (Lo's). No men are allowed in this paradise. One appears and he gets bopped over the head, gagged and hog-tied. This is a fem-family made on the run. Lo (Aleska Palladino) in her high teens runs away from a foster home with her younger sister, Manny (Scarlett Johansson). It's a Thelma and Louise crime spree made as a movie for children. Well, not quite. Turns out Lo's pregnant. She has been hiding this from 11-year-old Manny, who has the eye of Sherlock Holmes and is the brains of this team. They find a rather nice, used only during the ski season cabin in the woods and hole up to await the stork. They spot Elaine (Mary Kay Place), a lonely spinster working in a baby clothes shop and kidnap her to help deliver the baby. Everybody, despite gruff exteriors, has a heart of gold, and togetherness and loving concern prevail.
And what's wrong with that?
Nothing really. But I was thinking: this is the obverse of male war movies where none or few women appear, men doing their manly thing killing one another, women irrelevant. I think that's the key word here for director Lisa Kruege: in the reproductive game that is war by other means, men are irrelevant. Or almost so. In war it doesn't matter how many men are killed. As long as there are some left the population will quickly spring back. Kill the women, though, and you have a serious population problem. Manny and Lo and Elaine prove that you really don't need the male: his sperm will do, and that way you don't have to put up with his loutish behavior.
I think I got this right. Anyway, it's a cute movie.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
9 of 18 people found this review helpful.
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