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This movie is a little gem in which all the odd ingredients come together to form a surprisingly spot-on depiction of Australian life for a large percentage of the population. It scores big points for depicting life in the fairly unglamorous and largely forgotten country towns. The two sisters, especially the Rebecca Frith character (why this movie didn't make her a superstar is a shock to me) are spot on. But where this movie makes the leap from good Aussie flick to comic gem is its lack of fear in being strange. I won't spoil the many surprising treats by giving any of them away here but I will say that if you're a fan of Preston Sturges, this movie is his unlikely Aussie bastard child.
There are some films that seem to go so deep, they should just be allowed to go on and on. Their light is so bright they seem to compete with nature itself - they uplift and enlighten. Love Serenade, with it's repetitive Barry White underscore, its dead-on "this is not an act" performances and above all it's eccentric, unforeseen dialogue, plot and visuals has been added to my list of all-time bests. There's so much to learn here about art.
As a counter to the negative comments elsewhere re this film - I found
it extremely funny. Although I should note that I'm from country
Australia where this is based - so it's not surprising that people from
elsewhere might not appreciate the humour eg. references to the
"excitement of Brisbane."
However if you grew up having picnics in windswept Rotary parks, riding about dusty streets and choosing between the ABC and one other channel, this is definitely worth a look. Miranda Otto as Dimity is solid enough, but the character of Ken Sherry makes the film - a reptilian, tai chi following, Hawaiian shirt wearing DJ that will make you cringe with laughter throughout.
Overshadowed during its release by the tragic death of a stuntman
Collin Dragsbaek during production, Love Serenade rises as a
refreshing, observation rich film about despairing souls that happen to
come together in "Sunray" a fictional country town. A town like so many
real ones in Australia that manage to have a forlorn charm that shines
through isolation and solitude. Love Serenade manages to sensitively
capture this intangible quality to cradle its story within.
The title "Love Serenade' may have done some damage to its success as it could to easily have pigeoned holed it as a emotion saturated "chick flick". Ironically, once you know the film the title is perfect.
Essentially the film seems to be about the seductive power of persona fueled by the material mediums associated with it, in this case it's a 40 something DJ and his melodic 70's playlist. Within this entrapment all is normal and comfortable with the victim, but for the observer, in this case us the viewer, there are alarm bells and sirens going off everywhere.
DJ Ken Sherry represents what the mass media machine eventually spits out, burnt out celebrity that have been superseded by a new stock. To unfashionable to be seriously employed and to active to be retired these cast offs gravitate to anywhere that still attaches notions of greatness to there foundering media statue. George Shevtsov slips into the roll of the sleazy veteran DJ like a duck to water. His astonishing performance manages to contrive a personality that can only be described as revoltingly charming. Drawing on a a wealth of DJ streetwise experience "Ken Sherry" has an an opportunistic toy about with the misguided adoration of two local sisters. The resulting personality confrontations and moral diversities therein carries the film to its daring strange then stranger end.
Brilliantly written and directed by Shirley Barrett 'Love Serenade' is a great example of one persons vision being crafted and produced by a competent team that have taken on a singular vision. Its curious "fish" diversions and irratic surreal moments will have a large audience drop off, leaving a faithful few that will love it forever.
"Love Serenade" is a quirky and original film. I'm reminded of Pauline Kael's remark about "Passport to Pimlico" - "comedy with a fine flavour." I'd never heard of this and only rented it because of a recommendation by David Stratton on the cover. And I'm glad I got it out - it's been years since I liked a film this much. It's generally quiet, but its off-kilter humour is really very funny, and its observations about the sexes are poignant and even disturbing. The soundtrack is a key factor; it's a great collection of smooth seventies soul tracks, but they're used ironically, and you feel a little guilty for enjoying them so much. The performances are really fine, too. In all it's a wonderful film and it needs to be seen.
This terrific little movie has a simple but bizarre plot that gets
completely weird along the way ...
It's very realistic for anyone who has lived in a REALLY small town before ...
The Aussie "Bush" never looked so good. My favourite shot - the wedding dress run across those wide, open grain fields.
Clever direction tells you things without the clumsiness of deliberate speech e.g. keep a look out for the wheelchair in the lounge of the sisters' house, it's one of the few clues you get to their former family life.
Wonderful performances, music etc etc. An Aussie Classic.
*** This review may contain spoilers ***
In a stunt toward the end of Love Serenade, the stuntman died. This shot was used in the film. Does that make it snuff? It shouldn't, but writer director Shirley Bassett hasn't got over it and made a film since- and she should as soon as possible. Grade A black comedy that goes til it stops without becoming forced or predictable. Come back Shirley-
I've noticed that some people here are having a hard time finding this film, Love Serenade, on video or DVD. I was lucky enough to be able to catch this one on cable, either on Sundance channel or IFC, but this was a real fun movie to watch. The two sisters live together and eat lunch together every day, but along comes a new neighbor who moves in next door, and these two are at each other's throats to win the bloke over, before he even unpacks his suitcase! The new guy is a DJ named Ken Sherry, who just moved out to the sticks presumably after losing his job in the big city! And he's as smooth as Barry White on a Saturday night, this DJ, so both of them are captivated and try to do things for him to win him over, like catch him a big stinky fish or cook some crappy rubbish. The main gal, Vicki-Ann Hurley, is played by Rebecca Frith, whom I came to love after watching this, and who I just saw last night in another Aussie film also worth seeing, 'A Man's Gotta Do' (2004). Miranda Otto has top billing though, as the 'not-so'bright' younger sister, Dimity, and is enjoyable to watch as well. These two ladies play off each other well and there are some other nice characters in it that makes this a quirky comedy, fine Aussie entertainment! If you can find this at the video store, snatch it up! 7 out of 10 stars. *******
I thought this was a very unique movie, with the same dry quirkiness as
some other Australian flicks of the 90s like Muriel's Wedding and
The two sisters live in such a tragic backwater that when a has-been DJ comes to live in their town, they don't even realize what a loser he is.
They are so desperate for a social life they both go after him, and the results are funny (and the ending unexpected.)
If you don't appreciate the typically dry sense of humor of the Brits and Australians, you probably won't enjoy it, but if you do, it's a bit of a gem.
Brilliant!!!!! Well deserving of it's Cannes award. Superior acting (by
all), directing, set (excellent), costuming, editing, photography
(magnificent--transforms what the eye sees into another actor), sound
(wonderful--transforms what the ear hears into another actor). The people
who did this movie are an extremely talented bunch!
First, what this movie is NOT about: 1) it is not about "how to catch men" 2) it is not a fishing movie. OK, enough of that. This review explores what I learned from the movie and what I perceive to be its message--so be warned.
I just saw this movie on video last night. The title makes it sound like a so-called "chick-flick." True enough, the movie is not for the "emotionally challenged." Most of the action is subtle in the sense that if you don't understand the "language of emotions" you may think it the most boring--and confusing--movie ever made. There is very little conventional movie action. There are very few people in the cast. There is almost nothing happening in the town where it is set. The action is almost all in the world of ideas, feelings, and perceptions. However, the movie is not a soppy, exploitive "feeling fest." From my (male) point of view, it is a targeted message: "there is a line." In discussing the movie with women, I am finding, they all agree: "there is a line." What am I talking about? This movie convinces you "there is a line" beyond which freedom becomes chaos. Most people suspect this in their gut. This movie lays it out for all to see.
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