After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by
According to director David Lynch, the first scene in the film is based upon an incident which occurred in his own life. He says that early one morning, his intercom buzzed, and when he answered it a voice he didn't recognize said, "Dick Laurant is dead." However, by the time he got to the front of the house to look out the window, there was no-one outside. See more »
The police called us today.
What did they want?
They wanted to know if we had a chance to find out what happened to you the other night. And they wanted to know if you remembered anything.
But I don't remember anything. What'd you tell them?
[after a long pause]
We're not going to say anything about that night to the police.
We saw you that night, Pete.
You came home with your friend, Sheila.
Uh-huh. There was a man with you two.
What is this? Why didn't you tell me anything? Who was the...
[...] See more »
I believe it was the legendary Homer Simpson who once gave the ideal description on David Lynch productions. During watching a Twin Peaks'-episode he said, `Brilliant but I don't get it'. Too true you love what you're seeing and you want to be a part of the mysterious Lynch universe! You actually feel the urge to search for solutions, you want to solve the riddle that is Lost Highway and you desperately try to do so until you realize it's in fact a puzzle that cannot be solved. Therefore, my advice would be: Don't try to be Einstein and develop too many theories' just get overwhelmed by Lost Highway and enjoy the mixture of weirdness, violence and erotica you get to see. It's amazing what David Lynch pulls off here! He serves an absurd and impossible structure that involves an inexplicable metamorphosis of the protagonist and he actually gets away with it!! Meanwhile, he introduces a bunch of bizarre but extremely fascinating characters of which you don't know they're real or just creations of a mentally ill mind. Lynch in top-condition, in other words you almost start to suspect he's laughing with his audience. The quality of Lost Highway is brought up to an even higher level by the terrific musical score (Angelo Badalamenti), a blasting soundtrack (Rammstein!) and sublime acting. Bill Pullman and Balthazar Ghetty supply each other terrifically, even though they don't have ONE scene together. And Patricia Arquette either blond or brunette looks gorgeous. No wonder men in this film fall into madness over her.
Lost Highway comes with my highest possible recommendation, yet I still prefer the David Lynch of the lat 70's and 80's. Can't really give a reasonable explanation for this Films like Blue Velvet and Eraserhead had something extra.
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