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Looking for Richard (1996)

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

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Writers:

(play), (narration) | 1 more credit »
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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Herself / Queen Elizabeth
Gordon MacDonald ...
Himself / Dorset
Madison Arnold ...
Himself / Rivers
...
Himself / Grey
...
Himself / King Edward
...
Himself / Duke of Clarence
...
Himself / Richard III
Timmy Prairie ...
Landon Prairie ...
Prince Richard
...
Himself / Hastings
...
Himself / Lord Stanley
...
Himself / Earl of Buckingham
...
Margaret
...
Phil Parolisi ...
Halberd / Messenger
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Storyline

Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Taglines:

A four hundred year old work-in-progress.

Genres:

Documentary | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language and some scenes of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 October 1996 (USA)  »

Also Known As:

En busca de Ricardo III  »

Box Office

Opening Weekend:

$33,843 (USA) (11 October 1996)

Gross:

$1,361,420 (USA) (24 January 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

All the actors that appear in the film, all worked for scale in which at one point Alec Baldwin jokingly admitted during the film "Here I am working for forty bucks a day and have all the donuts you can eat". See more »

Goofs

In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and Clarence, Duke of GEORGE. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »

Quotes

Al Pacino: A person has an opinion. It's only an opinion. It's never a question of right or wrong.
See more »

Connections

Spoofed in The Real Thing (2002) See more »

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User Reviews

Captivating Piece of Film
20 August 2000 | by (United States) – See all my reviews

After reading many of the previous reviews and commentaries, I'm beginning to wonder whether we all saw the same movie! I found the entire piece enriching, riveting, and suspenseful, and was immediately moved to call friends and family members to recommend it. The performances are remarkable: Pacino is intense, Ryder catches the "deer-in-the-headlights" feel of her character perfectly. Baldwin is restrained and beguiling, while Spacey delivers his usual flawless performance. Penelope Allen was astounding. The movie serves, not to deliver the entire work-- analyzed, explained, and discussed-- on a platter, but, rather, to whet our appetites and bring Shakespeare to modern classes, and I felt it succeeded in this admirably. It also showed the thought and preparation that goes into such a production. I particularly enjoyed watching the actors discuss various interpretations of particular scenes, imparting their own ideas and feelings, and often disagreeing with each other. While we are both generally "action movie" or suspense fans, we found ourselves completely drawn into the drama, both in the characters and in the actors, and-- even knowing, of course, the ending in advance-- found ourselves on the edge of our seats as the film neared its climax. My one complaint? I wish they had then gone on to film their entire version of Richard III to offer as a companion piece. An excellent way to indulge yourself in an exciting, well-performed piece of movie-making, and actually come away having learned a little bit. Highly recommended!


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