It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do. Written by
Ron Kerrigan <email@example.com>
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and Clarence, Duke of GEORGE. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
I caught this by sheer accident on BBC C4 last night backed on to another Shakespeare program.
I was immediately caught by it..the fabulous comittment to culture in the face of 'dumbing down' shown by Pacino and his team was overwhelming. I too had not thought it possible from american film stars!!
His characterisation of Richard was amazing. His fellow actors were equally impressive and the scenes where they discuss the plot, its meaning historically and it's meaning in human terms were gripping.
The intercut scenes of British establishment lovies pontificating on why Americans can't do Shakespeare highlighted the pretensiousness of our approach. I would prefer Pacino anyday to a 100 Brannagh's or Jacobi's!!
The costume scenes had a kind of byzantine grandeur and I was constantly reminded of Orson Welles, or his influence.
Shore's music is tremendous and meets the high standard of the rest of this movie.
I will be adding this to my collection at the earliest opportunity.
Watch and be amazed!!
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