It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do. Written by
Ron Kerrigan <firstname.lastname@example.org>
A lot of the scenes where the actors look frustrated and bewildered were real. Due to the fact that no one knew what kind of direction Pacino was aiming for. See more »
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and Clarence, Duke of GEORGE. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
I'll admit to some possible bias here: I like Shakespeare, I used to study acting, and I like Pacino. And I thought it was wonderful how the three were mixed together to form this great documentary.
It's not a film good just for entertainment; it's good if you feel like watching something educational, and enlightening. What I loved about the movie was how it showed the process of acting, particularly Shakespeare. You go from actors sitting around a table reading from a script, to actors sitting around a table improvising to get a feel for their character, to the finished product. And the acting is fantastic.
I enjoyed how this movie showed how good professional actors are. Because of his looks, Kevin Conway is just a character actor in Hollywood; the parts he gets are generally going to be all along the same lines. But here he gets to show just how talented, skilled, and trained actor he is. For me, Shakespeare is a litmus test. I've rarely been impressed by Alec Baldwin as an actor (Glengarry Glen Ross excepted) but here he shows that he truly is a professional actor, not just a "movie star." Unfortunately, Wynona Ryder did not past the test. I thought she was the weakest part of the movie; she did not sound at all natural. While everyone else spoke their lines as Shakespeare is supposed to sound like, Ryder sounded like she was "speaking Shakespeare." I had similar problems with Leo DiCaprio and Claire Danes in Romeo + Juliet, especially compared to the smooth and natural performances of Pete Postlethwaite and Harold Perrineau.
The movie is not for everyone. But if you enjoy acting, if you enjoy Shakespeare, and/or you simply enjoy Pacino, this is a must-see.
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