It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
Patty Vare falls off a horse and is found unconscious by prep school student John Baker. He takes her to his dorm. As he quickly discovers, she is hiding from something. For John this ... See full summary »
Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do. Written by
Ron Kerrigan <firstname.lastname@example.org>
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and Clarence, Duke of GEORGE. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
After reading many of the previous reviews and commentaries, I'm beginning to wonder whether we all saw the same movie! I found the entire piece enriching, riveting, and suspenseful, and was immediately moved to call friends and family members to recommend it. The performances are remarkable: Pacino is intense, Ryder catches the "deer-in-the-headlights" feel of her character perfectly. Baldwin is restrained and beguiling, while Spacey delivers his usual flawless performance. Penelope Allen was astounding. The movie serves, not to deliver the entire work-- analyzed, explained, and discussed-- on a platter, but, rather, to whet our appetites and bring Shakespeare to modern classes, and I felt it succeeded in this admirably. It also showed the thought and preparation that goes into such a production. I particularly enjoyed watching the actors discuss various interpretations of particular scenes, imparting their own ideas and feelings, and often disagreeing with each other. While we are both generally "action movie" or suspense fans, we found ourselves completely drawn into the drama, both in the characters and in the actors, and-- even knowing, of course, the ending in advance-- found ourselves on the edge of our seats as the film neared its climax. My one complaint? I wish they had then gone on to film their entire version of Richard III to offer as a companion piece. An excellent way to indulge yourself in an exciting, well-performed piece of movie-making, and actually come away having learned a little bit. Highly recommended!
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