It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
Patty Vare falls off a horse and is found unconscious by prep school student John Baker. He takes her to his dorm. As he quickly discovers, she is hiding from something. For John this ... See full summary »
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do. Written by
Ron Kerrigan <firstname.lastname@example.org>
While he was putting the film together, Al Pacino showed the film for his friend Director Harold Becker as Pacino didn't know where to go with all the footage he had amassed. Becker responded with "Make the film four acts" and that's when Pacino began to lay out the structure towards the final version of the film. See more »
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and Clarence, Duke of GEORGE. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
This film has fascinated me ever since I first happened upon it in the library of Millsaps College in Jackson, Mississippi. By a happy coincidence, I also checked out Ian McKellen's quite excellent "Richard III" on the same day and spent most of the afternoon viewing and comparing the two.
It all works: the performances, the interviews, the clowning around on the set. I thought Spacey was wooden, but Baldwin . . . wow . . . who would have expected such a performance.
Highly recommended for anyone who reads and thinks.
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