Critic Reviews

44

Metascore

Based on 20 critic reviews provided by Metacritic.com
75
Geena Davis and her director and husband, Renny Harlin, recover from their "Cutthroat Island" fiasco in grand style, and screenwriter Shane Black ("The Last Boy Scout") juggles jolts and jokes with a mad fervor that almost earns him his $4 million salary.
63
I liked it in the same way I might like an arcade game: It holds your attention until you run out of quarters, and then you wander away without giving it another thought.
63
This is the kind of movie in which a dozen bad guys with an automatic weapon in each hand couldn't hit a lake if they were standing at the bottom of it, to steal the screenplay's best wiseacre remark.
60
A tour de force of technical brilliance, with flashes of humor and a wild spirit of adventure signifying that you're not supposed to take it too seriously, but the cumulative impact of its avalanche of mayhem is so numbing that it's enough to shrivel your soul.
50
The New York Times
Mr. Black's screenplay is mean-spirited, but it earns its keep with sharp, sarcastic dialogue and ingenious ways of setting up this story.
42
Entertainment Weekly
Ultimately, however, Kiss is too ridiculous to engage us as a thriller yet too cringingly self-conscious to amuse us as camp.
40
Unfortunately, the filmmaking couple take the fetishistic masquerade far too seriously. They may describe it as a "departure" from traditional fare, but it's simply the same old action-packed guff.
38
USA Today
The movie tries to juggle motherly love sentiment with wanna-be snappy ripostes with a violent streak that extends to threatening a grade-schooler with blinding and busted kneecaps. [11 Oct 1996, Pg.03.D]
25
A "nonstop thriller" that is also a nonstop dud. Underline the word "long" in the title.
20
The problem with this movie is the problem with most Renny Harlin movies: There's an excessive amount of excess -- a mind-numbing plurality of firearm battles, vehicular explosions and brutally frank sexual talk.

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