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The Long Kiss Goodnight (1996)

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A woman suffering from amnesia begins to recover her memories after trouble from her past finds her again.



4,308 ( 551)
3 nominations. See more awards »





Cast overview, first billed only:
Kristen Bone ...
Girl #1
Jennifer Pisana ...
Girl #2
Man in Bed


Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis


Eight years ago she lost her memory. Now, a detective must help her remember the past before it buries them both. What's forgotten is not always gone.

Motion Picture Rating (MPAA)

Rated R for a substantial amount of strong bloody violence, and for strong language | See all certifications »

Parents Guide:





Release Date:

11 October 1996 (USA)  »

Also Known As:

Memoria explosiva  »


Box Office


$65,000,000 (estimated)

Opening Weekend USA:

$9,065,363, 13 October 1996, Wide Release

Gross USA:

$33,328,051, 12 January 1997

Cumulative Worldwide Gross:

$89,456,761, 31 December 1997
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


Writer trademark: Shane Black: [disarmed gunman]: While being held at gunpoint, Charly disarms the gunman when he is distracted. Black's screenplays often contain scenes where the hero is able to surprise a gunman who makes a fatal mistake, like in The Last Boy Scout (1991) and Kiss Kiss Bang Bang (2005). See more »


It's impossible even for two athletic men to fix the unconscious body of Samantha / Charly with ropes to the mill wheel given the constructional circumstances with one side surrounded by water. See more »


Mitch Henessey: Question. You keep saying "I this", "I that". Like well
Mitch Henessey: it's like you don't need me anymore.
Charlie: [looks at Mitch] Good point.
[opens passenger side door]
Mitch Henessey: Hey, hey
[Charlie kicks him out of the car]
Mitch Henessey: HEY!
[Mitch rolls a couple times and ends up on the sidewalk]
See more »


References Rugrats (1990) See more »


Many Rivers To Cross
Written by Jimmy Cliff
Performed by Jimmy Cliff
(from the 1969 album "Jimmy Cliff")
Courtesy of A&M Records Inc./Island Records Inc.
By Arrangement with PolyGram Film & TV Licensing
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User Reviews

A Great Film
29 December 2007 | by See all my reviews

I disagree with the reviewer who said this film is not for the "cerebrally-minded." I happen to be somewhat the cerebral type, and I think this is a great film; I love it and have seen it many times.

For me, the great things about this film add up to a woman with a full-on assertive, resourceful personality. Of course the drama is all about the wonderful mother and teacher discovering something else true about herself - and learning to merge the two once she "remembers herself." In the end, her love for her daughter and the tender nurturing person she is merges with the resourceful assertive person who is willing to fight and not give up. Even her daughter has taken on the "don't give up" when Mom is down. I would think there's a part in many of us women that can relate to all of this. And that might explain the box office failure and the rerun hit: women had to discover what I imagine was billed as a pure action film

Samuel L. Jackson is his own type of hero, flaws and all, and nobody could say enough about him. He's another complex character: down-to-earth with a street reality perspective, lower than the average poor man's detective and fairly desperate himself. And yet heroic in the clinch and full of his own kind of love and respect for what he values in women. He's just the man to take her on, and let her know when she's -not- okay. The characters pair in a sort of perfectly out-of-the-box way. So, this "cerebral type" says that this is great writing in terms of characters and storyline. And the violence is an integral part of those characters and story, not added flash or excitement that doesn't tell us anything about their lives or the urgency of their experiences.

And, last but not least, this is a comedy! Great dialogue (and I don't know who else could have played it like Jackson). So take that glitzy action as part of what makes a comedy work here!

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