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The Long Kiss Goodnight (1996)

 -  Action | Crime | Drama  -  11 October 1996 (USA)
6.7
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Ratings: 6.7/10 from 52,292 users   Metascore: 44/100
Reviews: 274 user | 89 critic | 20 from Metacritic.com

A woman suffering from amnesia begins to recover her memories after trouble from her past finds her again.

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Title: The Long Kiss Goodnight (1996)

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Cast

Cast overview, first billed only:
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Hal
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Leland Perkins
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Luke / Daedalus
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One-Eyed Jack
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Trin
Dan Warry-Smith ...
Raymond
Kristen Bone ...
Girl #1
Jennifer Pisana ...
Girl #2
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Man in Bed
Alan North ...
Earl
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Storyline

Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

Eight years ago she lost her memory. Now, a detective must help her remember the past before it buries them both. What's forgotten is not always gone.


Motion Picture Rating (MPAA)

Rated R for a substantial amount of strong bloody violence, and for strong language | See all certifications »

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Details

Country:

Language:

Release Date:

11 October 1996 (USA)  »

Also Known As:

A Profissional  »

Filming Locations:

 »

Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend:

£2,404,340 (UK) (6 December 1996)

Gross:

£4,543,100 (UK) (17 January 1997)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the first draft of the script, the name "Sam Caine" was not an alias used by Charly Baltimore (as it is in the finished film) but was instead a creation of her mind, as an anagram of "amnesiac". See more »

Goofs

The amount of whipped cream on Samantha's fingers before she licks it off. See more »

Quotes

Samantha: I know he has a pin in his leg, car accident. I... I know he cuts his own hair. He doesn't even own a TV. He... he sits when he pees...
Mitch: Hey, hey, hey. That's enough, I'm gettin' a boner here, all right?
See more »

Connections

References Rugrats (1991) See more »

Soundtracks

(Not Just) Knee Deep
Written by George Clinton (as G. Clinton) and P. Wynn
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Great Film
29 December 2007 | by (New York, NY) – See all my reviews

I disagree with the reviewer who said this film is not for the "cerebrally-minded." I happen to be somewhat the cerebral type, and I think this is a great film; I love it and have seen it many times.

For me, the great things about this film add up to a woman with a full-on assertive, resourceful personality. Of course the drama is all about the wonderful mother and teacher discovering something else true about herself - and learning to merge the two once she "remembers herself." In the end, her love for her daughter and the tender nurturing person she is merges with the resourceful assertive person who is willing to fight and not give up. Even her daughter has taken on the "don't give up" when Mom is down. I would think there's a part in many of us women that can relate to all of this. And that might explain the box office failure and the rerun hit: women had to discover what I imagine was billed as a pure action film

Samuel L. Jackson is his own type of hero, flaws and all, and nobody could say enough about him. He's another complex character: down-to-earth with a street reality perspective, lower than the average poor man's detective and fairly desperate himself. And yet heroic in the clinch and full of his own kind of love and respect for what he values in women. He's just the man to take her on, and let her know when she's -not- okay. The characters pair in a sort of perfectly out-of-the-box way. So, this "cerebral type" says that this is great writing in terms of characters and storyline. And the violence is an integral part of those characters and story, not added flash or excitement that doesn't tell us anything about their lives or the urgency of their experiences.

And, last but not least, this is a comedy! Great dialogue (and I don't know who else could have played it like Jackson). So take that glitzy action as part of what makes a comedy work here!


26 of 30 people found this review helpful.  Was this review helpful to you?

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This movie is made of awesome yoda1373
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