Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing. Written by
Tony Fontana <email@example.com>
Mitch's view of Charly carrying Caitlin through the night-vision binoculars shows the perspective of footage shot from a much closer position. See more »
Goddamn it. You're early. So Perkins wants me dead, huh? What's the rush? Why don't you just go away and come back at midnight? Shoo.
Hey, honey, this is a real big fucking gun.
This ain't no ham on rye pal.
What the hell are you doing?
Saving your life. I would have been here sooner, but I was thinkin' up that 'ham on rye' line.
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Next Time You See Me
Written by Earl Forest and William G. Harvey (as William Harvey)
Performed by Jr. Parker
Courtesy of MCA Records
By Arrangement with MCA Special Markets and Products See more »
Not a box office success; no-one really knows why. It may have failed simply because of its title. It looks as though you need a two-word tough-guy title to attract a sufficient proportion of the idiot crowd - "Die Hard", "Lethal Weapon", "Hard Weapon", "Die Lethal", etc. - talking about "the long kiss goodnight" will get you nowhere. But for once Renny Harlin has made a GOOD action movie. A large part of the reason for this lies in the fact that the central character, Samantha, earns our affection and interest early on. As she becomes Charly again, we're torn: we certainly want Charly to thwart the bad guys, and all that; but we don't want her to lose touch with Samantha in order to do so - even though we like Charly, too. Geena Davis bestows all of her considerable charm on both halves of the central character. Samuel L. Jackson plays second fiddle for a change. It turns out he's good at it. That was a compliment.
Intelligent, far superior to anything in the "Die Hard" series - if I were more cynical I'd add, "it's not surprising that it didn't do well", but I don't really feel that way; it IS surprising that it didn't do well.
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