6.7/10
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285 user 94 critic

The Long Kiss Goodnight (1996)

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A woman suffering from amnesia begins to recover her memories after trouble from her past finds her again.

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2,267 ( 1,145)

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Cast

Cast overview, first billed only:
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Hal
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Leland Perkins
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Luke / Daedalus
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One-Eyed Jack
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Trin
Dan Warry-Smith ...
Raymond
Kristen Bone ...
Girl #1
Jennifer Pisana ...
Girl #2
...
Man in Bed
Alan North ...
Earl
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Storyline

Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

Eight years ago she lost her memory. Now, a detective must help her remember the past before it buries them both. What's forgotten is not always gone.


Motion Picture Rating (MPAA)

Rated R for a substantial amount of strong bloody violence, and for strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 October 1996 (USA)  »

Also Known As:

Memoria explosiva  »

Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend:

$9,065,363 (USA) (11 October 1996)

Gross:

$33,328,051 (USA) (10 January 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Geena Davis and then-husband director Renny Harlin checked how long she could hold her breath in their bathtub to prepare for the "water torture" scene. See more »

Goofs

The amusement rides on the boardwalk in Atlantic City do not operate at Christmas time. See more »

Quotes

Charlie: Suck my dick, every one of you bastards.
See more »

Connections

Referenced in Clever Girl: The Finch See more »

Soundtracks

Rockin' Around The Christmas Tree
Written by Johnny Marks
Performed by Dion DiMucci (as Dion)
Courtesy of The Right Stuff
under License from EMI-Capitol Music Special Markets
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Great Film
29 December 2007 | by (New York, NY) – See all my reviews

I disagree with the reviewer who said this film is not for the "cerebrally-minded." I happen to be somewhat the cerebral type, and I think this is a great film; I love it and have seen it many times.

For me, the great things about this film add up to a woman with a full-on assertive, resourceful personality. Of course the drama is all about the wonderful mother and teacher discovering something else true about herself - and learning to merge the two once she "remembers herself." In the end, her love for her daughter and the tender nurturing person she is merges with the resourceful assertive person who is willing to fight and not give up. Even her daughter has taken on the "don't give up" when Mom is down. I would think there's a part in many of us women that can relate to all of this. And that might explain the box office failure and the rerun hit: women had to discover what I imagine was billed as a pure action film

Samuel L. Jackson is his own type of hero, flaws and all, and nobody could say enough about him. He's another complex character: down-to-earth with a street reality perspective, lower than the average poor man's detective and fairly desperate himself. And yet heroic in the clinch and full of his own kind of love and respect for what he values in women. He's just the man to take her on, and let her know when she's -not- okay. The characters pair in a sort of perfectly out-of-the-box way. So, this "cerebral type" says that this is great writing in terms of characters and storyline. And the violence is an integral part of those characters and story, not added flash or excitement that doesn't tell us anything about their lives or the urgency of their experiences.

And, last but not least, this is a comedy! Great dialogue (and I don't know who else could have played it like Jackson). So take that glitzy action as part of what makes a comedy work here!


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