Great Performances (TV Series)
Long Day's Journey Into Night (1995)
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- TV-G
- 2h 53min
- Comedy, Drama
- 19 Sep 1999
- TV Episode
The Great American Family at its worst. James Tyrone is an aging actor and skinflint whose miserliness has been the ruin of his family. His wife, Mary, has been a morphine addict since the birth of their youngest son, Edmund. Their eldest...
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Award:
- 1 win.
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Photos and Videos
Cast
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William Hutt | ... |
James Tyrone
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Martha Henry | ... |
Mary Tyrone
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| Tom McCamus | ... |
Edmund Tyrone
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Peter Donaldson | ... |
James Tyrone Jr.
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| Martha Burns | ... |
Cathleen
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Directed by
| David Wellington | ||
| Diana Leblanc | ... | (director - original stage production) |
Written by
| Eugene O'Neill | ... | (play) |
Produced by
| Niv Fichman | ... | producer |
| Daniel Iron | ... | producer |
| Sheena Macdonald | ... | producer |
| Barbara Willis Sweete | ... | producer |
| Jac Venza | ... | producer |
| Larry Weinstein | ... | producer |
Music by
| Ron Sures | ||
Cinematography by
| David Franco | ||
Editing by
| Susan Shipton | ||
Editorial Department
| Wyeth Clarkson | ... | second assistant editor |
| David Wharnsby | ... | first assistant editor |
Production Design by
| John Dondertman | ||
| Astrid Janson | ... | (designer - original stage production) |
Art Direction by
| Sarah Low | ||
Set Decoration by
| Jane Manchee | ... | (as Jane W. Manchee) |
Costume Design by
| Linda Muir | ||
Makeup Department
| Gerry Altenburg | ... | wigs |
| Clara Dinunzio | ... | daily makeup |
| Debra Johnson | ... | key hair |
| Stephen Lynch | ... | key makeup |
| Chris Vaughan | ... | wigs |
Production Management
| George Anthony | ... | executive in charge of production: CBC |
| Roberta Pazdro | ... | production manager (as Roberta J. Pazdro) |
| Jody Shapiro | ... | post-production supervisor |
| Matt West | ... | unit manager |
Second Unit Director or Assistant Director
| Derby Crewe | ... | second assistant director |
| Avrel Fisher | ... | first assistant director |
Art Department
| Jim Benton | ... | set carpenter |
| Brian Clancy | ... | set carpenter |
| Martin Edge | ... | standby carpenter |
| Michael Followes | ... | property master |
| Brian Fowler | ... | daily carpenter |
| Todd Gipstein | ... | image broker photographs |
| Bruce Graydon | ... | construction assistant |
| Steve Haines | ... | set carpenter |
| Victoria Hamilton | ... | daily painter |
| Lynda B. Hattin | ... | key scenic artist |
| Argenis Lopez Jordan | ... | daily carpenter |
| KEi | ... | first assistant art director |
| Matt Kenwell | ... | daily carpenter |
| Sean Liebrecht | ... | daily painter |
| Joseph Madziak | ... | construction manager |
| Cathy Male | ... | construction assistant |
| James McMurdy | ... | set carpenter |
| Frederich Mendelson | ... | head carpenter |
| Laura Moneta | ... | daily painter |
| John Mulligan | ... | set carpenter |
| Friday Myers | ... | lead props |
| Rick O'Brien | ... | daily painter |
| Joey Panko | ... | head painter |
| Hubert Peddle | ... | set carpenter |
| Robert C. Ragsdale | ... | archive still photographer (as Robert Ragsdale) |
| Tom Reyner | ... | daily painter |
| John Rice | ... | daily carpenter |
| Norma Jean Sanders | ... | set buyer |
| Gabriele Schnutgen | ... | painter |
| Cathy Smith | ... | construction assistant |
| Peter Smith | ... | archive still photographer |
| Douglas Spillane | ... | archive still photographer |
| Doug St. Aubin | ... | daily carpenter |
| Bill Thrasher | ... | construction assistant |
Sound Department
| David Appleby | ... | re-recording mixer |
| Todd Beckett | ... | re-recording mixer |
| Frederich Brennan | ... | dialogue editor |
| James A. Gore | ... | foley assistant (as Jim Gore) |
| Steve Hammond | ... | foley artist |
| Daniel Hamood | ... | sound |
| Janice Ierulli | ... | adr editor |
| Garrett Kerr | ... | assistant dialogue editor |
| Mishann Lau | ... | assistant sound effects editor |
| Andy Malcolm | ... | foley artist |
| Tim O'Connell | ... | foley recordist / re-recording mixer |
| Greg Peech | ... | foley assistant |
| Julie Saragosa | ... | assistant adr editor |
| Jane Tattersall | ... | sound editor / sound effects editor / supervising sound editor |
| John J. Thomson | ... | location sound |
| Tony van den Akker | ... | foley recordist |
| Paul Wicks | ... | sound trainee |
| Alan Zielonko | ... | boom operator |
Camera and Electrical Department
| Mark Berlet | ... | electric swing |
| Pierre Berube | ... | electric swing |
| Arthur E. Cooper | ... | first assistant camera (as Arthur Cooper) / focus puller |
| David Erlichman | ... | daily grip / key rigging grip (as Dave Erlichman) |
| John Foss | ... | daily grip |
| Ava Gerlitz | ... | stills photographer |
| Shannon Grinell | ... | camera trainee |
| Reni Hoz | ... | second assistant camera |
| Terry Kelly | ... | electric swing |
| George Kerr | ... | best boy electric |
| Jim Knight | ... | daily grip |
| Raymond McLeary | ... | daily grip |
| Tom O'Reilly | ... | best boy grip |
| David Owen | ... | gaffer |
| Brian Potts | ... | key grip |
| Carl Savage | ... | daily grip |
| Cylla Von Tiedemann | ... | still photographer |
| Scott Westerlaken | ... | daily grip |
Costume and Wardrobe Department
| Edith Bochynek | ... | tailor |
| Kathryn Budge | ... | tailor |
| Izzy Camilleri | ... | men's cutter |
| Terri Dans | ... | men's cutter |
| C. Arlene Innes | ... | tailor |
| Isabelle Kaczmarek | ... | women's cutter |
| Edward Kent | ... | daily wardrobe |
| Hanh Le | ... | tailor |
| Judy MacDougall | ... | seamstress |
| Jan Mackie | ... | seamstress |
| Patricia McNally | ... | tailor |
| Britt-Inger Petras | ... | women's cutter |
| Janice Rankin | ... | seamstress |
| Marvin Schlichting | ... | men's cutter |
| Felice Cece Scriver | ... | on set dresser |
| Sidney Sproule | ... | wardrobe supervisor |
| Phillip Stevens | ... | lead dresser |
Music Department
| Garrett Kerr | ... | music editor |
| Doug LeBow | ... | orchestrations |
| Stanley McCartney | ... | musician: clarinet |
| David Miller | ... | musician: cello |
| Glenn Morley | ... | score conductor |
| Douglas Perry | ... | musician: viola |
| Doug Riley | ... | musician: piano |
| Greg Robertson | ... | score recording |
| Ron Sures | ... | orchestrations |
| Denis Tougas | ... | score recording |
| David Wharnsby | ... | music editor |
| John Whynot | ... | score technical support |
| Jeff Wolpert | ... | score mixer / score recording |
Script and Continuity Department
| Winnifred Jong | ... | script supervisor |
Transportation Department
| John Sauvé | ... | production driver |
Additional Crew
| George Anthony | ... | CBC executive in charge of production |
| Belynda Blythe | ... | stand-in |
| Shawn Brown | ... | production secretary |
| Kevin Christoffersen | ... | assistant |
| Stefan Fraticelli | ... | craft service |
| Bill Greenlees | ... | craft service |
| Sean Jara | ... | set production assistant |
| Brian Kaulback | ... | stand-in |
| Virginia Kelly | ... | unit publicist |
| Katherine Bruce Laing | ... | associate producer trainee / stand-in |
| Jacqueline McClintock | ... | director's observer |
| Linda Pope | ... | production accountant |
| Maria Popoff | ... | set production assistant |
| Austin Schatz | ... | stand-in |
| Roland Schlimme | ... | production coordinator (as Roland W. Schlimme) |
| Nicholas Tabarrok | ... | production accountant (as Nicholas D. Tabarrok) |
| Johanna Weinstein | ... | title design / title designer |
| Brooke Weslak | ... | office manager / production office manager |
| Roseann Wilshere | ... | stand-in |
Thanks
| George Anthony | ... | thanks |
| Steven Baum | ... | thanks |
| Antoni Cimolino | ... | thanks |
| Walter Donohue | ... | thanks |
| Craig Emanuel | ... | thanks |
| Bryan Gliserman | ... | thanks |
| Paul Gratton | ... | thanks |
| Bill House | ... | thanks |
| Jennifer Jonas | ... | thanks |
| John David Kerr | ... | thanks |
| Jeff Krebs | ... | thanks |
| Samuel Liff | ... | thanks |
| Richard Monette | ... | thanks |
| Sally Pavetti | ... | thanks |
| Clayton Shields | ... | thanks |
| Lou Solakofski | ... | thanks |
| Arlen J. Vranic | ... | thanks |
Production Companies
Distributors
- Cineplex-Odeon Home Video (1996) (Canada) (VHS)
- MCA Home Video (1996) (Canada) (VHS)
- Alliance Atlantis Home Video (2008) (Canada) (DVD)
- Cineplex-Odeon Home Video (Canada) (VHS)
- Universal Studios Home Video (Canada) (VHS)
Special Effects
Other Companies
Storyline
| Plot Summary |
The Great American Family at its worst. James Tyrone is an aging actor and skinflint whose miserliness has been the ruin of his family. His wife, Mary, has been a morphine addict since the birth of their youngest son, Edmund. Their eldest son, Jamie is an alcoholic, unable an unwilling to find work on his own, he has been 'forced' to take up his father's profession. Edmund, who has been away as a sailor has returned home sick and awaits the doctor's diagnosis of consumption. Each of them is so self-centered, and self-pitying, that they cannot help one-another. None of them even know what they want and they can't bear it.
Written by Al Jacques |
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Box Office
| Budget | CAD2,000,000 (estimated) |
Did You Know?
| Trivia | The set for this movie was designed to closely resemble the interior of the Eugene O'Neill house (Monte Cristo Cottage) in New London, Connecticut. See more » |
| Movie Connections | Version of Long Day's Journey Into Night (1962). See more » |