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| Stephen Mendillo | ... | Cliff | |
| Stephen J. Lang | ... | Mikey | |
| Chris Cooper | ... | Sam | |
| Elizabeth Peña | ... | Pilar | |
| Oni Faida Lampley | ... | Celie | |
| Eleese Lester | ... | Molly | |
| Joe Stevens | ... | Deputy Travis | |
| Gonzalo Castillo | ... | Amado | |
| Richard Coca | ... | Enrique | |
| Clifton James | ... | Hollis | |
| Tony Frank | ... | Fenton | |
| Miriam Colon | ... | Mercedes Cruz | |
| Kris Kristofferson | ... | Charlie Wade | |
| Jeff Monahan | ... | Young Hollis | |
| Matthew McConaughey | ... | Buddy Deeds | |
| Joe Morton | ... | Del | |
| LaTanya Richardson | ... | Priscilla Worth | |
| Eddie Robinson | ... | Chet | |
| Ron Canada | ... | Otis | |
| Chandra Wilson | ... | Athena | |
| Damon Guy | ... | Shadow | |
| Dee Macaluso | ... | Anglo Mother | |
| Luis Cobo | ... | Mexican-American Father | |
| Marco Perella | ... | Anglo Father | |
| Don Phillips Jr. | ... | Principal (as Don Phillips) | |
| Mary Jane R. Hernandez | ... | Mexican-American Mother | |
| Jesse Borrego | ... | Danny | |
| Carina Martinez | ... | Paloma | |
| Tony Plana | ... | Ray | |
| Richard Andrew Jones | ... | Ben Wetzel (as Richard A. Jones) | |
| Beatrice Winde | ... | Minnie Bledsoe | |
| Gabriel Casseus | ... | Young Otis | |
| Randy Stripling | ... | Roderick | |
| Richard Reyes | ... | Jorge | |
| Olga Luna | ... | Waitress | |
| Juan Vega III | ... | Cook | |
| Lizzie Curry Martinez | ... | Girl | |
| Leo Burmester | ... | Cody | |
| Carmen De Lavallade | ... | Carolyn (as Carmen de Lavallade) | |
| Vanessa Martinez | ... | Young Pilar | |
| Tay Strathairn | ... | Young Sam | |
| Sam Vlahos | ... | Pete | |
| Maricela Gonzalez | ... | Anselma | |
| Tony Amendola | ... | Chucho Montoya | |
| Gilbert R. Cuellar Jr. | ... | Eladio | |
| James Borrego | ... | Young Chucho | |
| Gordon Tootoosis | ... | Wesley Birdsong | |
| Lisa Suarez | ... | Marisol | |
| Jesus Ramirez | ... | Driver (as Jesús Ramirez) | |
| Frances McDormand | ... | Bunny | |
| John Griesemer | ... | Football Announcer (voice) | |
| Eduardo Martínez | ... | Jaime (as Eduardo Martinez) | |
| Azalea Mendez | ... | Young Mercedes | |
| rest of cast listed alphabetically: | |||
| Murray Mead | ... | Man at breakfest table (uncredited) | |
Directed by | |||
| John Sayles | |||
Writing credits(WGA) | ||
| John Sayles | (written by) | |
Produced by | |||
| Jan Foster | .... | associate producer | |
| R. Paul Miller | .... | producer | |
| Maggie Renzi | .... | producer | |
| John Sloss | .... | executive producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Stuart Dryburgh | (director of photography) | ||
Film Editing by | |||
| John Sayles | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Dan Bishop | |||
Art Direction by | |||
| J. Kyler Black | (as Kyler Black) | ||
Set Decoration by | |||
| Dianna Freas | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Roy Bryson | .... | key hair stylist | |
| Maria Camino | .... | assistant makeup artist | |
| Lori Hicks | .... | key makeup artist | |
| Martha Mendez | .... | assistant makeup artist | |
| Caroline Rempher | .... | hair stylist | |
| Susan Todd | .... | hair stylist | |
Production Management | |||
| Robert Labrecque | .... | production manager | |
| Caitlin Maloney | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Galia Hardy | .... | second second assistant director | |
| Brian O'Kelley | .... | second assistant director | |
| John Powditch | .... | first assistant director | |
Sound Department | |||
| Michael Barry | .... | sound re-recording engineer | |
| Kam Chan | .... | foley editor | |
| Benjamin Cheah | .... | sound effects recordist (as Ben Cheah) | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Chris Fielder | .... | transfer assistant | |
| Eugene Gearty | .... | sound effects editor | |
| Lewis Goldstein | .... | sound effects editor (as Lew Goldstein) | |
| Frank Kern | .... | foley editor | |
| Sylvia Menno | .... | dialogue editor | |
| Caroline Hall Otis | .... | cable puller | |
| Bruce Pross | .... | foley recordist | |
| Gail Showalter | .... | adr editor (as Gail Stockton) | |
| Stuart Stanley | .... | foley editor | |
| Philip Stockton | .... | supervising sound editor | |
| Steven Visscher | .... | foley editor (as Steve Visscher) | |
| Jennifer Winslow | .... | boom operator (as Jennifer C. Winslow) | |
| Clive Winter | .... | sound mixer | |
| Al Gomez | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Jack Bennett | .... | special effects coordinator | |
Casting Department | |||
| Lizzie Curry Martinez | .... | extras casting director | |
| Julie Lichter | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Sevilla Granger | .... | wardrobe assistant | |
| Shari Gray | .... | key costumer | |
| Mayes C. Rubeo | .... | wardrobe supervisor (as Mayes Rubeo) | |
Editorial Department | |||
| Josh Brockman | .... | post-production assistant | |
| Monica De Armond | .... | post-production assistant | |
| Mario Ontal | .... | assistant editor | |
| David Orr | .... | color timer | |
| Plummy Tucker | .... | associate editor | |
Music Department | |||
| Bruce Bennett | .... | music assistant (as Bruce Bennet) | |
| Mason Daring | .... | score performer | |
| Arlene Fishbach | .... | music consultant | |
| Evan Harlan | .... | score performer | |
| Tim Jackson | .... | score performer | |
| Duke Levine | .... | score performer | |
| Larry Luddecke | .... | score performer | |
| Billy Novick | .... | score performer | |
| Nic Ratner | .... | music editor | |
| David Shacter | .... | music score engineer | |
| David Shacter | .... | music score mixer | |
| Mike Turk | .... | score performer | |
| Marshal Wood | .... | score performer | |
Transportation Department | |||
| Jorge Betancourt | .... | driver | |
| Juan Betancourt | .... | driver | |
| Billy Cude | .... | driver | |
| Rolando De Hoyos | .... | driver (as Rolando de Hoyos) | |
| Jim Dicuffa | .... | transportation captain (as Jim DiCuffa) | |
| Yolanda B. Flores | .... | driver | |
| Bill Girard | .... | driver | |
| Leo Perez | .... | driver | |
| Phil Schriber | .... | transportation coordinator | |
| Jesus F. Tellez | .... | driver (as Jessie Tellez) | |
| Jesus Vallejo | .... | driver | |
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| The Three Burials of Melquiades Estrada | Holes | Babel | Touch of Evil | Crash |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This just ran tonight on HBO. I haven't watched it in a few years now. Lone Star has, if anything, improved with each viewing, which is really saying something because I remember how truly riveted and fulfilled I was on its first viewing in the theater. This is film-making at its very best.
This must be one of the all time greatest pieces of writing for the cinema. Period. So many characters are here and they're all richly developed and mined to make you think even more about the film's many themes. The story just hooks you right from the start and is utterly absorbing, and the layers of subplots and meanings reach dizzying heights of complexity and poignancy without sacrificing entertainment value. You practically walk away from the film saying "yes, for once someone has something to say and it's said so eloquently". To me, Lone Star is one of the masterpieces of American movies.
This has one of the greatest final lines that I've ever seen in a movie. That last line illuminates everything that has come before it in a way that is both shattering and ironic. The performances are uniformly superb, and you can just imagine what the cast was thinking, with the opportunity to perform this piece. All the technical aspects are first rate, which makes you truly wonder why movies cost so much in Hollywood. The music is outstanding. But at the end of the day, it's the incredible writing here that lingers. The second half of the movie pays off in spades due to the development of the many characters and sub plots that are so brilliantly interwoven. The movies Lone Star reminds me of most are The Last Picture Show, Chinatown, and Nashville. Take my word; if you like any of those pictures and haven't had the distinct pleasure of seeing Lone Star, please give it a chance. You will not be disappointed.