51-year-old Herbert Strehlow, a furniture restorer, falls in love with 21-year-old Lea, who has not spoken a word since childhood when her father killed her mother. She bears a striking ... See full summary »
Two amateur circus kids from a poor Ukrainian village, ten-year-old Barbu and his older sister Mimma, are sold to a circus artist called Caruso who promises them a career in the West. ... See full summary »
A teacher of philosophy discovers a complicated pupil, a seventeen years old girl with a quite cynic and lucid view of the world. He gets involved in helping her to follow the routine of ... See full summary »
A social movie about life nowadays in the north of France. Freddy and his friends are all unemployed. They try to pass away the time by wandering around on their motorcycles and by ... See full summary »
When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family ... See full summary »
An Asian American teenager dreams of breaking free from her oppressive household to pursue her personal desires and forbidden love. Balancing life between two opposite worlds, will Viette ... See full summary »
51-year-old Herbert Strehlow, a furniture restorer, falls in love with 21-year-old Lea, who has not spoken a word since childhood when her father killed her mother. She bears a striking resemblance to Herbert's dead wife. They get married, but their relationship seems doomed, until gradually each one manages to penetrate the mysterious world of the other, and they begin to realize that they are bound by a kind of spiritual relationship. For Lea it is the death of her mother, for Herbert it is the death of his first wife. His hard exterior slowly beings to thaw, and he starts to show feelings and responses that soften Lea's initial hatred and fear of him, and which put their relationship in a more positive light. Written by
L.H. Wong <firstname.lastname@example.org>
Each moment of the film exposes humanity to it's own existential romance...
Ivan Fila torments you into an oblivion of thoughts when you first watch Léa. What was avid of torment and nostalgia slowly evolves into meaningful bliss taking place in a reality where the exploration of one's self is a battle that can last a lifetime. In each second of the movie, you hear Léa speak inside her eyes when the colors of her mentality meet the mnemonic eyes of Strehlow. The movie propels you into one's view of the liberation of emotions by the means of artistic release, constantly gripping you into it's excruciation. Are you imprisoned by the past? The movie explores that theme without cynicism and without the actual clichés of current cinematographic creations. Each moment of the film exposes humanity to it's own existential romance in a way which will fascinate the viewer. Léa is a tormenting character, she will take whoever watches into her individuality, and let you share her freedom while being a prisoner of herself and others. A prisoner in whom you do not find speech, but liberation inside other means of expressions. Is love found by the means of words? Another question that elaborates the concept of romance. Lea should be seen, so that you see and feel a story, in which realities collide to form a union that separates the usual cliché from a new meaningful subsistence. The journey that is life, never ceases to continue in Lea: each must learn from hers or his own past to shine into the beauty of existence...
2 of 2 people found this review helpful.
Was this review helpful to you?