A dramatization of the rivalry between David Letterman and Jay Leno to over which of them would succeed Johnny Carson as the host of "The Tonight Show".

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Writers:

(book), (teleplay) | 1 more credit »
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Won 1 Golden Globe. Another 4 wins & 10 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Rod Perth
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Howard Stringer
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John Agoglia
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Bob Wright
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Sandra Bernhard
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Alan Levine
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Rick Ludwin
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Storyline

HBO movie about the behind-the-scenes network politics responsible for the changes in late-night talk-show hosts, after the retirement of Johnny Carson from the Tonight Show on NBC. Jay Leno and David Letterman were both vying for the position, but Leno's tough manager Helen Kushnick got him the spot. In the wake of her 'stepping on the toes' of powerful network executives and 'playing hardball' tactics with guest bookings, she found herself being pushed out of her job as Tonight Show Executive Producer and Jay's manager. Letterman, devastated by his being passed over, brought in superagent Mike Ovitz to negotiate on his behalf, resulting in his move to CBS. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Taglines:

Two heads fighting for the late night crown - One head's gotta roll. See more »


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

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Details

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Release Date:

24 February 1996 (USA)  »

Also Known As:

Changement de décors  »

Box Office

Budget:

$6,000,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Anthony Heald was considered for the role of Michael Ovitz. See more »

Goofs

The scene at the NBC meeting at Carnegie Hall when Johnny Carson announces his retirement takes place in May 1991. Behind Johnny is the fall 1991 NBC schedule. Mad About You is displayed to air on Wednesday nights. The show did not premiere until the fall of 1992. See more »

Quotes

Michael Ovitz: Peter, I know Dave's circumstances, and so I know why you're here. Dave is a star of such compelling stature that frankly it makes me personally angry he finds himself this abused. We pride ourselves here at CAA in developing a career plan for our clients that protects them as much as it enriches them. David has set such an incredibly high professional standard and yet he is going disturbingly unrewarded. That just doesn't make any sense; it's simply bad business practice. Obviously, we have an...
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Connections

References Donahue (1967) See more »

Soundtracks

There's No Business Like Show Business
Performed by Ethel Merman
Written by Irving Berlin
Irving Berlin Music Company
Courtesy RCA Victor Red Seal Division of BMG Classics
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User Reviews

 
Solid Account Of The Leno-Letterman Battle
18 October 2009 | by (Durham Region, Ontario, Canada) – See all my reviews

I read the book written by Bill Carter on which this movie is based many years ago. The book is certainly stronger than the movie. It provides more detail than a movie can possibly provide, the end result being that I thought the movie seemed a wee bit sketchy on a handful of items. All things considered, though, and given the limitations of the medium, the movie provides a wholly entertaining and informative account of the battle between Jay Leno and David Letterman in the early 90's to host "The Tonight Show" after the retirement of Johnny Carson.

The highlight is clearly the performances. I can think of no more difficult performance for an actor than to play a character who is still alive and well-known and on TV on a regular basis. John Michael Higgins nailed the part of Letterman perfectly. Watching him really was like watching Letterman. Daniel Roebuck tried valiantly to be Jay Leno, but somehow didn't pull it off as effectively. His whole "look" seemed fake, and he just didn't seem natural in the role. In a less central role, Rich Little not surprisingly nailed the voice of Carson, although the look was a bit off. In the book, the most interesting of the central figures was probably Leno's agent, Helen Kushnick. In the movie, Kathy Bates was perfect in the role, although not quite as out of control as Carter's portrayal of the woman in writing.

In the end, this is light and entertaining viewing. The subject matter isn't especially important in the overall scheme of things, but it's a fun behind the scenes look at a memorable time in the entertainment industry. 7/10


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