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Directed by | |||
| Walter Hill | |||
Writing credits(WGA) | ||
| Ryûzô Kikushima | (story) and | |
| Akira Kurosawa | (story) | |
| Walter Hill | (screenplay) | |
Produced by | |||
| Michael De Luca | .... | executive producer | |
| Paula Heller | .... | associate producer | |
| Walter Hill | .... | producer | |
| Sara Risher | .... | executive producer | |
| Arthur M. Sarkissian | .... | producer (as Arthur Sarkissian) | |
| Ralph S. Singleton | .... | co-producer (as Ralph Singleton) | |
Original Music by | |||
| Ry Cooder | |||
Cinematography by | |||
| Lloyd Ahern II | (director of photography) (as Lloyd Ahern) | ||
Film Editing by | |||
| Freeman A. Davies | (as Freeman Davies) | ||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Gary Wissner | |||
Art Direction by | |||
| Barry Chusid | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Dan Moore | |||
Makeup Department | |||
| Dorothy D. Fox | .... | hair stylist supervisor (as Dorothy Fox) | |
| Tom Hoerber | .... | makeup artist | |
| Gary Liddiard | .... | makeup supervisor | |
| Bunny Parker | .... | hair stylist: Mr. Willis | |
| Gerald Quist | .... | makeup artist: Mr. Willis | |
| Georgina Williams | .... | hair stylist | |
Art Department | |||
| Steve Badillo | .... | labor foreman | |
| David F. Bornstein | .... | general foreman | |
| Christopher Carlson | .... | swing gang | |
| Mike Carrillo | .... | assistant property master | |
| Michael Casey | .... | lead man: El Paso (as Michael P. Casey) | |
| Mike Cunningham | .... | assistant property master | |
| Dale DeStefani | .... | construction foreman | |
| Carmine Goglia | .... | stand-by painter | |
| Gordon Huggins | .... | paint foreman: El Paso | |
| Kurt V. Hulett | .... | lead man | |
| Barbara Ann Jaeckel | .... | set designer | |
| Michael Kolko | .... | set estimator | |
| Jeffrey Kushon | .... | lead man | |
| Jeffrey Kushon | .... | swing gang | |
| Ernest Lopez | .... | lead plasterer (as Ernest Lopez Jr.) | |
| Paul A. Minitello | .... | signwriter | |
| Jan O'Connell | .... | assistant art department coordinator | |
| Maureen Osborne | .... | swing gang | |
| Damian 'Rocky' Polito | .... | propmaker | |
| John J. Rutchland III | .... | construction coordinator (as John 'J.R.' Rutchland III) | |
| John Slatsky | .... | drapery foreman (as John J. Slatsky) | |
| Paul Sonski | .... | set designer | |
| Mike Swift | .... | illustrator | |
| Shannon Vergun | .... | art department coordinator | |
| Christopher Woodworth | .... | lead scenic | |
| Mark Woodworth | .... | painter: Los Angeles | |
| Rick Young | .... | property master | |
| Lou Boggs | .... | construction gangboss (uncredited) | |
| Noah Bradley | .... | carpenter (uncredited) | |
| Archie Hankins | .... | carpenter (uncredited) | |
| Gary Petersen | .... | construction gang boss (uncredited) | |
| Larry J. White II | .... | set dresser (uncredited) | |
| Christopher Windisch | .... | construction foreman (uncredited) | |
| Quinn Yarbrough | .... | property master (uncredited) | |
Sound Department | |||
| Nicholas R. Allen | .... | boom operator (as Nicholas Allen) | |
| Lou Angelo | .... | sound editor (as Louis E. Angelo) | |
| David A. Arnold | .... | sound editor (as David Arnold) | |
| Bill Banyai | .... | dubbing engineer | |
| Rick Canelli | .... | adr recordist | |
| Spartan Castiglioni | .... | sound re-recording machine room crew | |
| Blake R. Cornett | .... | assistant sound editor (as Blake Cornett) | |
| Susan Dawes | .... | assistant sound editor (as Susan Shackelford) | |
| Teri E. Dorman | .... | sound editor | |
| David R. Finkelstein | .... | first assistant sound editor (as David R. Finklestein) | |
| Kimberly Gallagher-Carlton | .... | assistant sound editor (as Kimberley Gallagher Carlton) | |
| Nerses Gezalyan | .... | foley mixer | |
| Gary A. Hecker | .... | foley artist (as Gary Hecker) | |
| Scott Hecker | .... | sound editor (as Scott A. Hecker) | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| Steven Klinghoffer | .... | utility sound technician (as Steve Klinghoffer) | |
| Dave Kulczycki | .... | sound editor (as David Kulczycki) | |
| Paul Massey | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr mixer | |
| Lee Orloff | .... | sound mixer | |
| Lauren Palmer | .... | supervising adr editor | |
| Matt Patterson | .... | sound re-recording machine room crew | |
| Donald Sylvester | .... | sound editor | |
| Craig Weintraub | .... | assistant sound editor | |
| Jeffrey Wilhoit | .... | foley artist | |
| Jay Wilkinson | .... | supervising sound editor | |
| Craig Berkey | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Casey Cavanaugh | .... | special effects foreman | |
| Lawrence J. Cavanaugh | .... | special effects coordinator (as Lawrence James Cavanaugh) | |
| William Dawson | .... | special effects technician | |
| Jeffrey Knott | .... | effectsman | |
| Henry Millar | .... | special effects foreman | |
| Mike Reedy | .... | special effects foreman | |
| R. Bruce Steinheimer | .... | special effects supervisor | |
| Geoffrey C. Martin | .... | special effects technician: N.M. Filming (uncredited) | |
| Barry McQueary | .... | special effects (uncredited) | |
| Vincent Montefusco | .... | special effects: 2nd unit-pyro/PT (uncredited) | |
| Anthony Simonaitis | .... | special effects technician (uncredited) | |
Casting Department | |||
| Lynda Halligan | .... | casting associate | |
| Charlie Messenger | .... | extras casting | |
| Barbara Montoya | .... | extras casting: El Paso | |
Costume and Wardrobe Department | |||
| Leah Brown | .... | costumer | |
| Lois DeArmond | .... | assistant costume designer | |
| Dallas D. Dornan | .... | costume supervisor | |
| Barry Kellogg | .... | costumer | |
| Michael J. Long | .... | costumer | |
| Ruby K. Manis | .... | key costumer | |
| Lori Stilson | .... | costumer: Mr. Willis | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Joe Fineman | .... | executive in charge of post-production | |
| Herb Hickey | .... | color timer | |
| Brent Kaviar | .... | post-production services | |
| Phil Norden | .... | assistant editor: avid | |
| Yôko Seto | .... | first assistant film editor | |
| Brandon Smith | .... | post-production assistant | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Joachim Cooder | .... | musician: percussion | |
| Ry Cooder | .... | musician: guitars | |
| Rick Cox | .... | musician: synthesizer and saxophone | |
| Toby Emmerich | .... | executive in charge of music | |
| Arlene Fishbach | .... | music consultant | |
| Mark Kaufman | .... | music coordinator | |
| Kelly Mahan-Jaramillo | .... | assistant music editor (as Kelly Jaramillo) | |
| Leslie Morris | .... | music contractor | |
| Rail Rogut | .... | music engineer | |
| Dana Sano | .... | music executive | |
| Allen Sides | .... | score mixer | |
Transportation Department | |||
| Daniel B. Briggs | .... | picture car captain | |
| Joseph J. Dawson | .... | driver: 32 packard, second unit | |
| Charles Enzen | .... | transportation coordinator (as Chuck Enzen) | |
| Wayne Williams | .... | transportation coordinator | |
| John A. Brubaker | .... | driver: set dressing (uncredited) | |
| Ron Poniewaz Jr. | .... | driver: honeywagon (uncredited) | |
| David G. Todd | .... | production van operator (uncredited) | |
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| The Professional: Golgo 13 | Contraband | Desperado | The Dark Knight | Priest |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
I really enjoyed Bruce Willis's character and the supporting cast chosen noting Walken(Hickey)and Kelly(Doyle). They really made the characters interesting to the audience and they deserve much credit for doing such a good job in this older film. I have seen many of Willis's movies and say this one is underrated and unique. In addition, it was well written with many twists to the plot, keeping you on the edge of your seat. If you are an action movie shoot them up fan, like gangster type movies and appreciate the older scenery of the pre 1930's. I would recommend this movie highly. Kudos to those who made this movie as I rate it as one of my all time favorites.
Nick Milone